What the Riff Next Gen

Brian presents the second album by The Byrds as they continued their folk rock mix of vocal and twelve-string guitar harmonies originally explored in their debut album released earlier in the year. There are two songs from Bob Dylan - "The Times They Are A-Changin' and "Lay Down Your Weary Tune" - along with a number of other covers.
Join us as we explore the album Turn! Turn! Turn! as well as the famous title track and several other excellent songs from The Byrds.
“Oh! Susannah”
This Stephen Foster cover was originally intended as a joke, but they received a positive reception regardless. There aren't too many songs originally written over 100 years prior.
“Set You Free this Time”
This track features the 12-string Rickenbacker guitar, common in many of the songs from The Byrds, and has a San Francisco feel. The Byrds were originally from Los Angeles.
“It Won't Be Wrong”
This brief track showcases the vocal harmonies of The Byrds, reminiscent of The Mamas and The Papas.
“Turn, Turn, Turn”
The well-known title track was written by Pete Seeger and originated in the book of Ecclesiastes from the Bible. There was a guitar solo in this song, a rarity at the time. It is a reaction to the tumultuous times of the mid-60's. "A time for peace - I swear it's not too late."
ENTERTAINMENT TRACK:
“Christmastime Is Here” by Vince Guaraldi Trio
The first airing of "A Charlie Brown Christmas" occurred this year.
STAFF PICKS:
“Fever” by The McCoys
Originally recorded by Little Willie John and covered by lots of people, most famously by Peggy Lee, The McCoys were moving up the chart with this cover at the time. The McCoys featured Rick Derringer who would go on to play in the Edgar Winter and Johnny Winter bands.
“Seesaw” by Don Covay
Wayne's pick goes into the R&B genre. Aretha Franklin would chart even higher with her version of this Don Covay original. There is a great horn section in this track. "Your love is like a seesaw."
“Flowers on the Wall” by The Statler Brothers
Rob's pick goes into the country genre with this debut single. Check out that bass voice in the vocal harmony. The Statler Brothers were members of Johnny Cash's band at the time that this song was recorded. The name "Statler" came from a brand of tissue in their hotel.
“Let's Hang On” by The Four Seasons
Brian closes out Staff Picks with the distinctive high tenor that can only be Frankie Valli. He was recording both with The Four Seasons and his solo work at the time.
LAUGH TRACK:
“The Drinking Mans Diet” by Allen Sherman
Allen Sherman was a precursor to "Weird Al" Yankovic - a comedian who produced spoof songs like this track. "Drink, drink, everyone drink!"
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

After stratospheric commercial success in the 1980's, Duran Duran had been on a downswing before releasing this seventh studio - and second self-titled - album. They would hit the top 5 once again with what became known as “The Wedding Album” due to the album artwork showing wedding pictures from the band members' parents. This album was a comeback and reinvention of the group for the 90's. It has a wide variety of sounds and tempos, but maintains the distinctive harmonies for which Duran Duran was known. Join us a Rob takes us through this excellent album.
Too Much Information
This rocking track starts the album, and gives a sense of the information overload that was just beginning in 1993. While there was a sense of the old Duran Duran at times, The Wedding Album really serves as a reinvention of the group.
Love Voodoo
This is a more club/dance-oriented track in a minor key. Duran Duran became superstars on the strength of MTV as "new romantics."
Shelter
This has a James Bond feel, and is a good song to hear with headphones. It continues the dance feel with interesting percussion crashes and vocal effects. **
Ordinary World
This is the first single released from the album, and it hit number 1. Much slower than the dance oriented tracks, this shows some of the diversity of the album. The single was released several months in advance of the album.
ENTERTAINMENT TRACK:
Theme from “The Late Show with David Letterman”
March 1993 marks the start of David Letterman on CBS after being passed over for host of The Tonight Show on NBC in favor of Jay Leno.
STAFF PICKS:
“Blood and Thunder” by Ultra Vivid Scene
Wayne showcases a hidden gem with a southern rock feel. Kirk Ralske was the driving force behind this alternative rock band.
“Pride and Joy” by Coverdale Page
Bruce's pick highlights a rock/blues track by the supergroup formed by Whitesnake's David Coverdale and Led Zeppelin's Jimmy Page.
“Romeo” by Dolly Parton and Friends
Brian crosses over to the country genre with a supergroup including Mary Chapin Carpenter, Pam Tillis, Tanya Tucker, Kathy Mattea, and Billy Ray Cyrus.
“Two Princes” by The Spin Doctors
This song hit number 7 on the US tracks, and the highest international charting song for the group. The syncopated percussion was typical of 90's alternative rock. Believe it or not, the Spin Doctors performed a special version of this on Sesame Street.
COMEDY TRACK:
“Come to Butthead”
We finish off this session with a comedy song based on MTV's "Beavis and Butthead" cartoon created by Mike Judge. “SCHUTTUP BEEVITH!”
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

With their self-titled debut album, Boston burst onto the stage with a sound that would come to define classic rock - "the Boston sound." Although an instant hit (it was the second best selling debut album in US history), it took several years for the demo tape to be accepted by a record label, and then would require some evasion of the label's wishes for MIT graduate Tom Scholz to be able to create the full album in his basement studio instead of taking it to Los Angeles. Driven by Brad Delp's soaring tenor vocals and Tom Scholz' work on virtually everything else, this album is a must-have in any rock lover's catalog - and that's more than a feeling!
Foreplay/Long Time
The instrumental prelude "Foreplay" with its distinctive triplet pattern is one of the first songs written, dating back to 1969. "Long Time" features the switch between acoustic and electric guitar that would be one of several signature features of the Boston sound.
Peace of Mind
This is the third single from the album. Scholz was working at Polaroid as a design engineer when he was shopping this album, and this song reflects Scholz thoughts on corporate life.
Hitch a Ride
This mellow track has a little bit of a hippie feel, but maintains a positive vibe that you see in the tracks on this album. The production on this track is amazing.
Rock and Roll Band
While this track might sound autobiographical, it is actually the opposite - it took a long time and a lot of work for Boston to get accepted. The band had never played live when the song was written.
ENTERTAINMENT TRACK:
**Theme from "What's Happening" **
This TV show featured Dwayne, Raj, Dee, and Rerun. Hard to believe that Rerun was considered overweight by 1970s standards...
**STAFF PICKS:
**
“Last Child” by Aerosmith
Rob's staff pick features another band from Boston, Aerosmith. Steven Tyler and Brad Whitford wrote this track for the album "Rocks", and if you listen, it has a similar sound to David Bowie's "Fame."
“Devil Woman” by Cliff Richard
It may have come out in August, but this is definitely a Halloween song. Cliff Richard is considered the "English Elvis," selling over 250 million records in his career.
**“Afternoon Delight” by Starlight Vocal Band **
Brian's staff pick takes the tone down with this number 1 hit from the time. Starlight Vocal Band featured tight harmonies, and would parlay the song into a variety show, for which David Letterman would be a writer.
“Still the One” by Orleans
Bruce's staff pick also features close harmonies and a very positive take on long-term relationships. Joanna and John Hall wrote the song. Band co-founder John Hall would go on to be a congressman from New York.
***INSTRUMENTAL:
*
**
“Nadia's Theme” by Henry Mancini
This instrumental hit was inspired by Romanian gymnast Nadia Comanici's scoring the first "perfect 10" in the 1976 Summer Olympic games.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Folks, it's time to party! With their second studio album, Wild Planet, Athens-based band, The B-52's continued their new wave, high energy weirdness. Front man Fred Schneider's frequently spoken vocals and Kate Pierson and Cindy Wilson's harmonies give The B-52's a very distinctive sound — the beehive hairdo sported by Kate and Cindy gave the band its name. There's not a bad song on the entire album. We hope you enjoy this week's very upbeat installment of What the Riff!
Party Out of Bounds
This track starts the album with a high energy party song. The B-52's are clearly identified with fun, and they never took themselves too seriously.
Give Me Back My Man
Cindy Wilson takes the lead vocals on this track, which was the second single released from the album.
Private Idaho
This is the hit track from the album, and a staple of the party circuit from high school dances to college bars. "Don't be blind to the big surprise - swimming round and round like the deadly hand of a radium clock."
Strobe Light
A more risque song was the third single released from the album. The B-52's would take a hiatus in 1985 when band mate Ricky Williams died, but then, they came back better than ever.
ENTERTAINMENT TRACK:
Theme from "Xanadu" by Olivia Newton-John
No hit movie here, but Jeff Lynne of ELO partners with Newton-John on this hit song from 1980.
STAFF PICKS:
“In America” by the Charlie Daniels Band
Bruce shares this hit from CDB's "Full Moon" album, which channels the anger that a lot of Americans had over the Iran hostage crisis. Daniels saw this point as a revitalization of American patriotism.
**“Don't Misunderstand Me” by Rossington Collins Band **
Wayne brings some southern rock to us in his staff pick. The surviving members of Lynyrd Skynyrd after the tragic plane crash formed this band with a female lead (Dale Krantz). The band would stick around for two studio albums.
“Misunderstanding” by Genesis
This hit off the album “Duke” was written by Phil Collins, and was originally intended for Collins' solo album. Rob points out that if you listen, the song was clearly inspired by Toto's "Hold the Line" and The Beach Boys "Sail on Sailor."
“Don't Ask Me Why” by Billy Joel
Brian's staff pick is an all acoustic song from Billy Joel's album, “Glass Houses.” Joel would win his first Grammy for this album. "You are still a victim of the accidents you leave as sure as I'm a victim of desire." The piano solo consists of 15 overdubbed pianos!
INSTRUMENTAL TRACK:
“Star Wars-The Empire Strikes Back Medley” by MECO
We finish off with a disco-esque medley based on the popular Star Wars saga. Remember this age of album medleys?
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Almost everyone is familiar with Janis Joplin as a fixture sound of the late 60's, but some may not know that she got her San Francisco start with Big Brother and the Holding Company on their self-titled debut album in 1967. Joplin was ostracized in high school, and you can get a sense of her as a lonely soul through her singing. She joined Big Brother and the Holding Company in 1966, which was an established band at the time. Joplin would move on to become a superstar soon, but this gives you a taste of her early work.
Cuckoo
This minor key track is about a gold digger, and features Joplin's unmistakable voice prominently.
Big Brother and the Holding Company - Call on Me "I need you, darling, like the fish needs the sea, don't take your sweet, sweet love from me."
Intruder
Janis Joplin wrote this song, and it has a more psychedelic sound. Joplin was inspired by Otis Redding's style.
Down on Me
This blues track is the big song off the album, though it wasn't a top 40 hit. It talks about how the world is "down on me."
ENTERTAINMENT TRACK:
“Foggy Mountain Breakdown” by Flatt & Scruggs
This bluegrass song is from the movie "Bonnie and Clyde" which was in the theater at the time.
STAFF PICKS:
“Windy” by The Association
Brian's staff pick was a feature of AM radio at the time. This is about a fictional character dreamed up by folk singer-songwriter Ruthann Friedman. The Association was also a staple of television variety shows.
**“I Thank the Lord for the Night Time” by Neil Diamond **
Rob's pick by this well-known artist considered this song "as close as this white Jewish kid from Brooklyn could come to being a Gospel singer!"
“Heroes and Villains” by The Beach Boys
This song that Bruce brought was originally intended to be the centerpiece of the epic and unreleased album “Smile.” It appeared as the opening song to the substitute album “Smiley Smile.”
“I Happen to Love You” by The Electric Prunes
Wayne's deep cut staff pick reflects the psychedelic nature of the time. It reflects the nervousness associated with a passionate love affair. Carole King was a co-writer on this song.
**“The Ballad of Bilbo Baggins” by Leonard Nimoy **
A cult classic from the original actor playing Star Trek's "Mr. Spock" finishes out this week's podcast. It played on the popularity of both Star Trek and Tolkien's works.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

ALBUM SPOTLIGHT:
Elton John — Goodbye Yellow Brick Road”
September, 1973
Elton John's seventh studio release is considered his best by many. The double album Goodbye Yellow Brick Road contains many well known hits including the title track, the Marilyn Monroe-inspired “Candle in the Wind,” and the 11-minute epic “Funeral For a Friend/Love Lies Bleeding.” Elton John initially intended to record this album in Jamaica, but political instability and the upcoming Frazier/Foreman boxing match caused the production to be moved to Chateau d'Herouville in France.
Friend of the Show John Lynch returns to help us showcase this monster rock album from 1973.
All the Girls Love Alice
This deeper cut in a minor key deals with prostitution and lesbianism. Tempo changes between the verses and chorus with a groovy fuzzy guitar distortion give this track its distinctive sound. Liberty music was originally trying to get John and writer/partner Bernie Taupin to write songs for other artists, but they decided to write it for themselves.
**Saturday Night's Alright for Fighting **
This well-known track was inspired by Taupin's experience in local pubs as a lad — it was banned on a number of radio stations because of fears that it would inspire violence. At age 15, Elton John was actually playing in pubs.
Goodbye Yellow Brick Road
The title track hearkens to a simpler childhood time, removed from celebrity and high society. Reginald Kenneth Dwight would change his name to Elton John inspired by two blues players he liked.
Grey Seal
Another deeper track from the album is driven by piano riffs and interesting key and tempo changes. If you don't understand the lyrics to this song, you're in good company - Elton John doesn't understand the lyrics either!
ENTERTAINMENT TRACK:
**Super Friends Theme Song **
This staple of Saturday morning cartoons featured DC superheroes...“Meanwhile, back in the Halls of Justice...”
STAFF PICKS:
**Looking Glass - “Jimmy Love Mary-Anne” **
Wayne brings us the yacht rock this week. If you think this sounds like "Brandy," there's a reason for it. This is their follow-up top-40 hit. Story songs like this were popular in the early '70's.
**The Edgar Winter Group - “Free Ride” **
Bruce's staff pick brings the boogie from the debut album from The Edgar Winter Group. Ronnie Montrose and Rick Derringer were also on this album.
Jim Croce - Bad Bad Leroy Brown
Special Guest Host stepping in for Brian, John Lynch introduces another storytelling song with amazing lyrics like, "badder than old King Kong, and meaner than a junkyard dog." Unfortunately, Croce would die in a plane crash in this month.
Chicago - Just You 'n' Me
Rob takes the tempo down with a horn-driven hit. This was the second single released from "Chicago VI." The song was inspired by an argument that trombone player James Pankow had with his girlfriend - shortly thereafter his wife.
LAUGH TRACK:
**Bobby "Boris" Pickett and the Crypt Kickers - Monster Mash​ **
Ahead of Halloween 1973, this song was moving up the charts. Originally released in 1962, the song was re-released in 1973.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

With his third studio album, Girlfriend, alternative rock artist Matthew Sweet saw his career launched to the next level. Although originally from Nebraska, Sweet connected with REM so much that he met up with them and left home to became a part of the music scene in Athens, Georgia. The album cover is of a 50’s actress named Tuesday Weld. The album was written after Sweet went through a divorce, and that may drive some of the creativity exhibited - a kind of therapy for the artist. Join us as Wayne takes us on this tour of pre-grunge alternative rock.
I've Been Waiting
This “power pop” song feels a bit like REM, with whom Sweet found an affinity. The album overall has a “soft grunge” feel, as it fits between grunge and the lighter pop sounds of the day.
Evangeline
This track is based off a character in a comic book. Evangeline is a weapons-wielding nun who works for the Vatican, and the song is told from the perspective of Johnny Six.
Does She Talk
This deeper track has a heavier, blusey sound. "She's just your size, she's sexy, she's beautiful, does she talk? 'Cause, man, you can't teach a slithering snake how to talk."
Girlfriend
This is the #1 hit from the album — and the namesake. Matthew Sweet's songs have been featured on many movies and TV shows, including "Scrubs," Smallville," and "Buffy the Vampire Slayer."
ENTERTAINMENT TRACK:
Theme song from “Ren and Stempy”
Nicktoons premiered this cartoon in August of 1991.
STAFF PICKS:
**Rush - “Roll the Bones” **
Bruce's staff pick is the title song from their 14th studio album. The Roll the Bones album was Rush's biggest success since Moving Pictures, and is built around the concept of chance.
**Van Halen - “Standing on Top of the World” **
Rob features a positive, upbeat song from Van Halen's third studio album with Sammy Hagar as frontman, and the only song off the album to make it to the top 40.
Nirvana - “Smells Like Teen Spirit”
With such a distinctive opening riff, you know it's Nirvana. This monster hit brought to us by Brian is off "Nevermind," the group's second studio album.
Ozzy Osbourne - “I Don't Want to Change the World”
Yes… there was still heavy metal in 1991 between the alternative and the grunge sounds. This track won a Grammy for best Metal Performance.
INSTRUMENTAL/LAUGH TRACK:
**Van Halen - 316 **
This soft instrumental pays tribute to Wolfgang Van Halen who was born on March 16th, 1991, and is now a member of the band.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

February 1984— The Pretenders— “Learning to Crawl”
Coming after a hiatus and the tragedy of losing two band members to drug overdoses, The Pretenders third studio album was perhaps a surprisingly successful endeavor. The name “Learning to Crawl” pays homage to Chrissy Hynde's daughter, Natalie Rae Hynde, who was indeed learning to crawl at the time. There's a sense of loss that comes from this album in tracks like “My City Was Gone” or “Time the Avenger,” but there's also an acknowledgment of more mundane activities in songs like “Watching the Clothes.” This is a great album from one of Rock's strong female leads, and we hope you enjoy it as much as we do.
“Middle of the Road”
This is the first track on the album, and has a bit of a new wave feel. This song was released as a single in 1983, ahead of the album release, as were several tracks off the album. Check out the guitar riff and the harmonica solo on this one.
“Time the Avenger”
This one has a Romantics feel to it. "No one is perfect, not even a perfect stranger." Hynde spent some time in London with groups like The Clash and The Damned.
“Watching the Clothes”
Here's a deeper cut inspired by the death of a friend and spending time in the laundromat.
“My City Was Gone”
Anyone who has heard the Rush Limbaugh program bump music has heard this track. The inspiration for this was Hynde's return to her hometown and the changes she saw over time. “And my pretty countryside had been paved down the middle by a government that had no pride.”
ENTERTAINMENT TRACK:
“Never Say Never” by Romeo Void, from the movie, Reckless
This cult classic was featured in the 1984 movie "Reckless," a movie with a soundtrack that was more popular than the film.
STAFF PICKS:
“What if I’d Been the One” by 38 Special
This Southern Rock track was off of 38 Special's album "Tour de Force." The lyrics are quite depressing despite the upbeat sound of the tune itself. Bruce went local as the album was recorded at Studio One in Doraville, GA.
“Take Me Away” by Blue Oyster Cult
Wayne doesn't disappoint with his rocking pick. This alien abduction track is from the later BOC days. "I lift my eyes and say, 'come on and take me away.'"
“Hyperactive” by Thomas Dolby
“Why don’t you tell me about your childhood...” Rob's staff pick drifts into the techno-pop new wave. Dolby had originally intended this song for Michael Jackson, but after getting no response from the King of Pop, he decided to do it himself.
“I Want a New Drug” by Huey Lewis & the News
Brian closes the staff picks with Huey Lewis's hit off the third album "Sports." This propelled Lewis and the band to super-stardom, and this track was on the top of the pop and dance charts.
INSTRUMENTAL OR LAUGH TRACK:
“The Attitude Song” by Steve Vai
Vai was the lead guitarist for David Lee Roth's band when he went solo. Vai is very well known among guitar artists as a virtuoso, and this instrumental demonstrates why.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

September 1977 — Meat Loaf — “Bat Out of Hell”
Is it Opera? Is it Rock? Is it toxic masculinity - or maybe adolescent half-formed not-too-deep masculinity? From the beginning, Bat Out Of Hell has been hard to define, and it took a long time for Meat Loaf, composer Jim Steinman, and producer Todd Rundgren to get the concept album picked up. However, the staying power of this evergreen album is undeniable, with over 43 million sold to date, and 200,000 albums sold per year even today. If you found that overwhelming, well, you took the words right out of my mouth!
We hope you enjoy our journey into the depths of this so-uncool-its-cool debut studio album.
“Bat Out of Hell”
This opening title track comes in at an epic 9:52 run time, and it is not the only long track. This album is great to hear as a whole. Todd Rundgren does the “motorcycle guitar solo” you’ll hear. Meat Loaf certainly has a distinctive, almost operatic voice.
“Two Out of Three Ain't Bad”
Meat Loaf got his start in theater, and this pop hit single gives credence to his theatrical influence. Meat Loaf won a lot of fans for his role as Eddie in “The Rocky Horror Picture Show.” Several tracks off this album were made into videos, which helped drive the popularity of the album.
“Paradise By the Dashboard Light”
This track is a cheeky take on parking make-out sessions. There is a Rocky Horror feel to this almost comedic multi-movement work. The song is filled with double entendres, plot twists, and a Phil Rizzuto baseball sequence.
ENTERTAINMENT TRACK:
“Theme from CHiPs”
This cop show debuting in 1977 launched Erik Estrada's career
STAFF PICKS:
“In the City” by The Jam
Wayne highlights a British punk band, reminiscent of the Kinks and the Who. While they made a big splash in the UK, they never took off in the States.
“Cat Scratch Fever” by Ted Nugent
Brian shares a pick from the Motor City Madman is easy to identify from the screaming guitar intro. Nugent often took the stage wearing only a loincloth back in the day.
“We Just Disagree” by Dave Mason
Rob's staff pick takes a more mellow direction with the second single released off Mason's album. Great harmonies and a 12-string guitar make this Traffic alum's hit memorable.
“Jungle Love” by the Steve Miller Band
This hit off the tenth studio release from Steve Miller only took only 30 minutes to complete on the last day of recording, says Bruce. "You treat me like I was your ocean - you swim in my blood when it's warm."
LAUGH TRACK:
“Grandmother’s Song” by Steve Martin
Steve Martin's comedy takes us out on this week's podcast.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

May 1984 — Stevie Ray Vaughan and Double Trouble — “Couldn’t Stand the Weather”
Many consider Stevie Ray Vaughan and Double Trouble to have single-handedly revived the blues in the 1980's. This second album contains both covers and original songs from Vaughan, instumentals, jazz, and of course blues. Couldn't Stand the Weather has a timeless quality to it even 35 years later. And did we mention the strength of Stevie Ray Vaughan's guitar chops? There's not a bad track on this ablum from one of the guitar world's greatest players who was lost before his time.
We hope you enjoy this trip back to the 80's!
“Scuttle Buttin”
This instrumental track opens the album and showcases the phenomenal guitar virtuosity of Stevie Ray Vaughan.
“Couldn't Stand the Weather”
Here is the title track, and a fast-paced boogie-blues number. Stevie Ray Vaughan wrote this song, and about half the tracks on the album. Jimmy Vaughan is on rhythm guitar on this track.
“Voodoo Child (Slight Return)”
This is a great juxtaposition of two world-class guitarists. Jimi Hendrix did this song originally, and Stevie Ray Vaughan's style is amazing on this track.
“Cold Shot”
We finish off this album feature with a straight up blues number originally written by Michael Kindred & WC Clark. Don't let our love go bad!
ENTERTAINMENT TRACK:
“If You Were Here” off the soundtrack from “16 Candles” by the Thompson Twins
If this song doesn’t make you think 1980s, well then...Molly Ringwald finally gets the boy in this John Hughes classic.
STAFF PICKS:
“Sister Christian” by Night Ranger
Rob's piano-driven staff pick was the second single from the album “Midnight Madness.” Drummer Kelly Keagy was inspired to write the song by his sister Christie, and how quickly she had grown up. The title morphed from “Sister Christie” to “Sister Christian.”
“Show Me” by The Pretenders
Brian riffs on this happy tune fromThe Pretenders’ third album and hit “Learning to Crawl.” Show me the meaning of the word - the word is “love.”
“Whisper to a Scream (Birds Fly)” by Icicle Works
In an unusual move, Wayne goes New Wave with his staff pick. This angst-filled one-hit wonder takes you back to MTV at its peak.
“Too Young to Fall in Love” by Motley Crue
Bruce channels perhaps the ultimate hair band — Motley Crue — who truly embraced the sex, drugs, and rock & roll lifestyle. This is the third single off their second album “Shout at the Devil.”
LAUGH TRACK / INSTRUMENTAL:
“Stang’s Swang” by Stevie Ray Vaughan and Double Trouble
We return to Stevie Ray Vaughan in a jazz selection, the last track off their album.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

July 1992 — Dream Theater — “Images and Words”
Is it Metallica? or Triumph? or Rush? Although “Images and Words” was their second studio album, the addition of James LaBrie as front man makes this album feel like the first complete outing for Dream Theater. While they only have one “hit” in the repertoire, this group is a giant in the progressive rock genre. The musicality of each member of the group gives Dream Theater an ability to take a variety of styles from driving thrash metal to soft ballads to an almost orchestral “wall of sound.” This album is their most commercially successful to date and gives a good sense of their diversity.
“Friend of the Show” John Lynch joins us in Brian's absence as we delve into this prog rock gem from 1992.
“Pull Me Under”
This is the hit off the album. Clocking in at over 8 minutes, a scaled down version hit MTV and gave Dream Theater some exposure to a larger audience. You can see elements of Metallica and Queensryche in this gritty piece.
“Another Day ”
Guitarist John Petrucci wrote this piece while his father was battling cancer. The soprano sax is provided by Jay Beckenstein, co-founder of Spyro Gyra. This is the first piece that attracted Bruce to Dream Theater.
“Surrounded”
Keyboardist Kevin Moore contributed this piece, and you can sense the synthesizer lead pretty strongly. Complex meters typical of prog rock come through, but it's still an accessible piece.
“Wait for Sleep”
This short, beautiful ballad features LaBrie's vocals and Moore's piano work.
ENTERTAINMENT TRACK:
“Birth of a Penguin” from “Batman Returns” by Danny Elfman
The film “Batman Returns” came out in the summer of 1992, and featured a cast of stars including Michael Keaton, Michelle Pfeiffer, and Danny DeVito as the Penguin.
STAFF PICKS:
“Pretend We’re Dead” by L-7
Wayne brings us this all-female punk rock group who dropped this tune on their third and most successful album release. They have quite a past....
“November Rain” by Guns N’ Roses
Rob continues Bruce's bent toward long tracks -- bringing us the longest single that ever made it in the Billboard top 10 - at over 8 minutes! Axl Rose came up with this song in 1983 (apparently what he would play anytime a piano was in front of him) - and it became an epic, multi-layered song in 1992.
“Under the Bridge” by Red Hot Chili Peppers
Friend of the Show John Lynch picks one of his favorite band -- showcasing the single that truly put the Red Hot Chili Peppers on the map. The song is about Los Angeles - the city of Angels.
“The Church of Logic, Sin, and Love” by The Men
Bruce's staff pick focuses on a one-hit wonder with a largely spoken word composition. We had to go to YouTube to find it in a video — which epitomizes many of the stereotypes of the early nineties, including the goatee... and televisions in swimming pools.
LAUGH TRACK:
“Kashmire” by Dixie Dregs
This week's instrumental track returns to a well-known progressive rock theme covered by a strongly talented band with Southern roots. This one was recorded live at Center Stage in Atlanta.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

August 1969 — Humble Pie — “As Safe as Yesterday is”
Wayne presents this incredible album featuring both Steve Marriott and Peter Frampton on vocals and guitar. It is easy to see how Humble Pie was such a powerful - but underrated - rock band at the end of the 60's. Their debut album “As Safe as Yesterday is” was a UK release, and remains surprisingly hard to pin down in genres with its mix of pop, rock, and blues - it was even one of the first albums to be described as “heavy metal.” Let's take a look at this groundbreaking album and see for ourselves how we would describe it.
“Stick Shift”
Peter Frampton wrote this psychedelic-leaning song, which was the second track on the album. Frampton was 18 years old at the time, and this was his second band.
“Bang ”
This rocking piece leads off side two of the album. Steve Marriott wrote this blues laden, almost southern rock track. By the way, the origins of the phrase "humble pie" are from a peasant's dish of deer innards, though now it is more similar to the phrase "eating crow."
“As Safe as Yesterday Is”
This lengthy title track is one of Wayne's favorite. Frampton's vocals are prominent on this song. Frampton would leave the group in 1971. The drum work is reminiscent of The Who, with moments that sound like Robert Plant and Jethro Tull.
“Natural Born Bugie (Woman)”
This one is very similar to southern Rock, which is interesting given the UK origins of the band. "Looking like the cover of a 20-dollar magazine." Steve Marriott tried to revive Humble Pie in 1991, and had gotten together with Frampton about it when he tragically died from a cigarette fire in bed.
ENTERTAINMENT TRACK:
“The Pusher” by Steppenwolf
The motorcycle cult classic "Easy Rider" was released in 1969, and produced or inspired a number of songs popular at the time, including this very dark blues riff.
STAFF PICKS:
“Marrakesh Express” by Crosby, Stills & Nash
Brian's staff pick was inspired by Graham Nash's trip to Morocco. Nash rode the train from Casablanca to Marrakesh, moving from first class on down to the lower class cars, encountering different types of people and situations along the way.
“One” by Three Dog Night
Rob's staff pick starts with a beat that was inspired by the busy signal on a phone line. This song made it to number 5, and was Three Dog Night's first gold record.
“Polk Salad Annie” by Tony Joe White
Bruce's staff pick takes us to backwoods Louisiana for some swamp rock, and a "poke sallet" - a dish of cooked greens made from a common weed in the southern U.S. Elvis Presley would make this popular as a staple on his tours.
“Questions 67 & 68” by Chicago
Wayne's staff pick hearkens back to the first album from The Chicago Transit Authority - known as Chicago after the governmental organization sued them.
LAUGH TRACK:
“A Boy Named Sue” by Johnny Cash
We finish off this podcast with Johnny Cash's humorous song about a boy who had to grow up with a decidedly feminine name.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

October 1973 — “Quadrophenia
By the time this sixth studio album (and second rock opera) rolled out in 1973 The Who were already icons in the Rock genre. The double album Quadrophenia tracks the downward spiral of a young “mod” named Jimmy in 1965 Brighton, UK. Some of the most well known Who songs originate from this rock opera including "The Real Me," and "Love, Reign O'er Me."
We're joined this week by “What the Riff Friend” Tim Andrews from WSB radio and the Radio Labyrinth podcast to co-host as we delve into this giant group and album.
“I’m One”
This song tells the story of one of Jimmy's introspective moments.
“The Punk and the Godfather”
This deep cut showcases that iconic Who sound. Pete Townshend wrote Quadrophenia in its entirety. Keith Moon's percussion work is particularly strong on this track.
“I've Had Enough”
This song ends the 1979 movie, and serves as a fitting finale to Jimmy's story. After losing his job, his girl, and his scooter, he finds that his hero, “Ace Face” (played by Sting) is actually a bellhop in the local resort.
“The Real Me”
Wayne considers this “the ultimate Who song.” This rocker comes with the whole package, especially Daltry's vocals and Entwistle's bass work.
ENTERTAINMENT TRACK:
“Theme from Kojak”
You all remember this 70s cop show with the bald, lollipop-licking detective played by Telly Sevalis? “Who loves ya' baby?”
STAFF PICKS:
“D’Yer Mak’er” by Led Zeppelin
Brian's staff pick highlights this reggae-leaning hit from the album “Houses of the Holy.” The title is a play on words, as it should be properly pronounced similar to “Jamaica.”
“Higher Ground” by Stevie Wonder
Bruce presents this soulful hit from Stevie Wonder's “Innervisions” album. This one references reincarnation.
The Red Hot Chili Peppers covered this song in 1989.
“Live and Let Die” by Wings
Rob highlights this James Bond movie song with lots of tempo changes and full orchestration. Paul and Linda McCartney did this first rendition, and Guns N Roses would cover this song with great success in the 1990's
“Tell Her She’s Lovely” by El Chicano
Wayne brings us a Latin vibe from an artist he recalls from his 1973 past living in California.
LAUGH TRACK:
“Basketball Jones” by Cheech & Chong
Tim brings us this pick highlighting a novelty song from Cheech and Chong. Believe it or not, these awesome artists “chimed in” as well: George Harrison, Billy Preston, Carole King, Michele Phillips, and others who were in the studio at the time. This fun track made it all the way to number 15 on the pop charts.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

June 1993 — “Hints, Allegations & Things Left Unsaid” by Collective Soul
Our first Podcast with a special guest. Steve Hardin teams up with Rob to present Stockbridge, Georgia-originating band Collective Soul. They didn't set out to be a world famous band. In fact, frontman Ed Roland wrote what would be the band's debut album as a demo in his basement, hoping to sell songs to others as a songwriter rather than perform songs in his own band. “Hints, Allegations and Things Left Unsaid” would instead become a hit on indie radio (WRAS album 88.5 FM from Georgia State), and the debut album is their demo recording basically untouched. The album cover is originally from a poster for the broadway musical "Sweeney Todd - the Demon Barber of Fleet Street."
“In a Moment”
This was one of many hits from the album. The name of the album is said to have been inspired by lyrics from Paul Simon's song “Call Me Al” - “All along, along, there were incidents and accidents, there were hints and allegations.”
“Goodnight Good Guy”
As Wayne says, “this song bounces.” Check this one out with headphones to appreciate the left-right feel of the music.
“Burning Bridges”
Ed Roland was on lead, and his brother Dean played rhythm guitar. During the 1990's, Collective Soul had a couple of hits every year, becoming an easily recognized group behind the distinctive lyrics of Ed Roland.
“Shine”
You get hints of Roland's Christian upbringing in his lyrics, especially in this song - their biggest hit. The track leads with grunge inspired riffs, and that iconic hook, “yeah!”
ENTERTAINMENT TRACK:
“Theme from Jurassic Park”
Steven Spielberg produced one of the first movies with truly awesome CGI special effects.
STAFF PICKS:
“Whiskey Soul Woman” by Drivin' N' Cryin'
Wayne's pick is from the heavy rocking fifth album "Smoke." Check out the Amazon Prime documentary on Drivin' N' Cryin' entitled "Scarred but Smarter."
“Livin’ on the Edge” by Aerosmith
Brian's staff pick was the first single from the Aerosmith album “Get a Grip.” Guitarist Joe Perry indicated that this track was inspired by the Los Angeles riots
“Shake My Tree Guest” by Coverdale Page
Host Steve Hardin showcases this one. David Coverdale and Jimmy Page collaborate on this hit album with a Led Zeppelin-esque feel.
“Big Gun” by AC/DC
Rob's staff pick to end this podast is straightforward AC/DC. This track is heard on the soundtrack from the Arnold Schwarzenegger movie “Last Action Hero,” and was AC/DC's first number 1 hit on album rock charts in 1993.
LAUGH TRACK:
“Lunch Lady” by Adam Sandler
This laugh track originated from a skit on Saturday Night Live featuring Chris Farley.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.