What the Riff Next Gen

February 1973 — “Billion Dollar Babies” by Alice Cooper
Brian presents one of the biggest early 1970's glam rock groups — Alice Cooper. Their sixth studio album entitled “Billion Dollar Babies” was released in 1973, and was their most successful album to this date. Detroit native and front man Vincent Furnier took on the “Alice Cooper” persona for this highly theatrical act, complete with makeup, tuxedo, and top hat. The title of the album is a tongue in cheek look at the rise of the band itself — referring to themselves as "Billion Dollar Babies."
Come along as we dig into this exceptionally entertaining and well-produced glam rock band.
“Hello Hooray”
This opening song was recorded earlier by Judy Collins, and the band intended it to be “Alice Cooper meets cabaret.”
“Elected”
This driving piece is the second single released from the album, and is a satirical look at the election process. It is a rewrite of their earlier song from 1969 entitled "Reflected." There's a surprisingly good horn section in there as well.
“Billion Dollar Babies”
The title track reflects their success in such a short period of time. Take a listen to this one in stereo or headphones to get the full effect.
“No More Mr. Nice Guy”
“No more Mr. cle-e-e-ean!” This song is the most popular track off the album. Amazingly, the shock rock front man appeared on The Muppet Show to sing this back in the day!
ENTERTAINMENT TRACK:
“Dueling Banjos” — from the movie “Deliverance”
This Burt Reynolds movie was filmed on the Chattooga River in Georgia, and may be one of the most notable banjo riffs of all time. The movie was released in 1972 and was still popular in 1973.
STAFF PICKS:
“Dancing in the Moonight” by King Harvest
Bruce shares this one-hit wonder sung by a Paris-based American group. It has that smooth, folk oriented sound that was quite popular back in the day. It could be an undercover werewolf song - jury's still out on that.
“The Night the Lights Went out in Georgia” by Vicki Lawrence
Rob’s a fan of the Carol Burnette show, and this was sung by comiedienne Vicki Lawrence. Her husband wrote the song, and when he was turned down by some famous female vocalists, Lawrence took it on, and took it to the top of the charts.
“My Woman from Tokyo” by Deep Purple
Wayne's rocking and riffing on this one. Although a big hit for Deep Purple, the band didn't like the song. It never actually came out as a single, and the band didn't play the song in concert until 1986.
“Walk on the Wildside” by Lou Reed
Brian closes out staff picks with this controversial art rock hit profiling alternate lifestyles in New York City. This is off Reed's second solo album, and the backing vocals are performed by a group called the Thunder Thighs.
LAUGH TRACK:
“Dead Skunk” by Loudon Wainwright III
This fun song is an ode to an odor we have all experienced on a country road. “I one'd it...I two'ed it...
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

January 1978 — “Champagne Jam” by Atlanta Rhythm Section
Bruce has a special place in his heart for this classic. The Atlanta Rhythm Section - also known as ARS - started as a session band for Studio One in Doraville, GA. Champagne Jam is their eighth and most successful album, going platinum by September of 1978. This was a time when Southern Rock was hitting a peak with Lynyrd Skynyrd, Molly Hatchett, The Charlie Daniels Band and others. ARS crafted a more laid back style within the genre on the strength of Ronnie Hammond's vocals.
Join us as we explore this local Atlanta favorite. By the way, the Atlanta Rhythm Section is still touring as of now, and you are especially likely to catch them at one of the metro-Atlanta venues.
“Large Time”
This opening track is a tribute to Lynyrd Skynyrd, who had lost band members in a plane crash in October 1977. ARS toured with Skynyrd frequently.
“Not Gonna Let it Bother Me Tonight”
One of the hits from the album, this track hit #14 on the charts. “I just can't beat that old dog eat dog, the rats keep winnin' the rat race."
“Evileen”
This is a deeper cut, with some cool lyrics and key changes. “She's a witch, a bit of a bitch, she's a necessary evil but she's got what I need, Evileen.”
“Champagne Jam”
The title track is a fan favorite, and a mainstay of ARS's concert lineup. ARS hosted a rock festival called Champagne Jam in September 1978. “Don't want no whiskey, gimme some high class booze.”
ENTERTAINMENT TRACK:
Theme from “Close Encounters of the Third Kind”
This symphonic track was from Steven Spielberg's popular film about alien encounters and UFO's — a very common discussion in the culture of 1978.
STAFF PICKS:
“Isn’t it Time” by the Babies
Brian loves this great piano-driven track from the John Waite-fronted band. The lyrics deal with an encounter between a man and a woman - deciding whether or not to take the relationship further.
“Ebony Eyes” by Bob Welch
Rob shares that Welch had been with Fleetwood Mac before this solo effort. This is the second hit from the album “French Kiss.” Check out that fuzzy guitar riff.
“Young Fast Scientific” by the Dictators
Wayne takes the tempo UP on this proto-punk track. The Dictators were never that popular but were a big influence on the punk rock movement.
“Godzilla” by Blue Öyster Cult
Bruce closes out the staff picks with “Oh No! There goes Tokyo!” Although it was played pretty regularly on rock stations, it is surprising that this song never made it on the Billboard charts. This “Cult” classic was certified gold in January 1978.
LAUGH TRACK:
“Rocket Man” by William Shatner
We....could...not resist.....In January 1978, Shatner appeared on the televised Saturn Awards and presented this Elton John hit in lyric poem format. Folks, you just have to hear this one (and check out the video on Yout Tube) to believe it.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

January 1965 — “Beatles for Sale” by The Beatles
By the start of 1965 The Beatles were already a household name, with Beatlemania reaching its peak the year before. Their fourth album released in the UK, Beatles for Sale, would continue their prolific work with a turn to more introspective lyrics and a handful of cover songs. The Beatles entire catalog is incredible, and this album contains some of the best examples from their height.
Join us on this brief time machine ride back to the beginning of the rock era.
“I’ll Follow the Sun”
The Beatles were putting out an album every 6 months at this time. This song was a softer, more folk oriented track than many of their upbeat tunes.
“Baby’s in Black”
This track is perhaps a foreshadowing of Eleanor Rigby in its lyrics. Lennon and McCartney's harmonies are always a striking feature of the early to mid-Beatles music catalog, and this song showcases that well.
“Eight Days a Week”
A well-known track. The original title was “Eight Arms to Hold You,” but (thankfully) it was changed before the song came out.
“I’m a Looser”
A low key tune that is more negative, and perhaps emotionally self-reflective. The harmonica work is inspired by Bob Dylan.
ENTERTAINMENT TRACK:
“Johnny Quest” - theme
Great instrumental work from this 60's vintage cartoon.
STAFF PICKS:
“You Really Got Me” by the Kinks
Their third single would be their first number 1 hit. Rob shares this love song for street kids. They got their fuzzy guitar sound by slicing the amps with a knife.
“Do You Love Me (now that I can dance)” by the Dave Clark Five
Bruce riffs on the second British Invasion group that performed this cover of the Motown hit by the Contours.
“Downtown” by Petula Clark
Tony Hatch was inspired to write this song after visiting Times Square, and took the song to Petula Clark in Paris, as explained by Brian.
“She’s not There” by the Zombies
This debut single for The Zombies is about a girl who left her boyfriend for another guy. Wayne shares that Santana also covered this song successfully in the 70's.
LAUGH TRACK:
“Hawaii Tattoo” by The Waikikis
This instrumental track from the Aloha State takes us out on this EARLIEST of our "What the Riff" months.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

September 1991 — “Ten” by Pearl Jam
Bursting out of what was becoming the Seattle scene Pearl Jam achieved mainstream success with its debut album, anachronistically named Ten​. The popularity of the album was slow coming, but has shown a staying power over the decades. Often identified with the grunge movement, and considered highly influential, Pearl Jam nevertheless defies labels. Their strong melodies and melancholy, open lyrics evoke not only grunge, but metal, alternative rock, and straightforward hard rock.
Join us as we focus on what Wayne considers "the month that changed rock and roll."
“Once”
This is the first track, and leads with a strong guitar riff and Vedder's powerful voice.
“Why Go”
This is the second track. Though considered a part of "the grunge bandwagon," Pearl Jam's album was recorded before Nirvana's “Nevermind” hit the charts.
“Jeremy”
A compelling song written about a middle school boy who committed suicide in class. Eddie Vedder read about the story in the Dallas Morning News and was inspired to write Jeremy.
“Oceans”
This is a deeper cut, “The sea will rise, please stand by the shore, oh, oh, oh, I will be, I will be there once more.”
ENTERTAINMENT TRACK:
“Home Improvement” - theme
Tim Allen's very successful sitcom debuted this month.
STAFF PICKS:
“Wild Hearted Son” by the Cult
Brian says this track and album was inspired by the plight of the Native American. The picture used on the cover of The Cult's album resulted in a $61 million lawsuit.
“Heavy Fuel” by Dire Straits
Mark Knopfler leading his group in one of the last hits of his Dire Straits days before going solo. Rob gets a chuckle out of the song ironically extolling the virtues of “cigarettes, hamburgers, Scotch, lust, money, and violence.”
“Three Strange Days” by School of Fish
Bruce shares this one-hit wonder from a short-lived alt rock band — leads off with a buzzing guitar over a straightforward percussion beat.
“Winds of Change” by the Scorpions
Wayne closes out the Staff Picks with this pick — inspired by the opening of the Soviet Union, and the failed coup that would bring about that empire's demise.
LAUGH TRACK:
“Things that Make You Go, Hmmmm....” by C+C Music Factory
We take this hip hop song with its tongue-in-cheek approach to life events as our cue to wrap up this week's podcast.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

February 1985 — “The Firm” by The Firm
If you're forming a rock group for success in the 1980s, you can't go wrong with Paul Rodgers (Bad Company) on lead and Jimmy Page (Led Zeppelin) on guitar. Throw in Tony Franklin on bass and Chris Slade on drums, and you have the supergroup known as The Firm. Their self-titled debut album was propelled to the top of the charts on the strength of their hit “Radioactive” and “Satisfaction Guaranteed.” Chris Slade suggested the name of the group, initially as a joke based partially on the fact that Rodgers’ previous group was “Bad Company,” and everyone gravitated to it immediately. The Firm only put out two albums before the members went their separate ways.
Join us as we explore this soulful supergroup.
“Radioactive”
This was the big commercial success on the album reaching number 28 in the U.S.
“Closer”
You can hear Jimmy Page's influence on this track. "The main aim is to play some rock and roll and have some fun." was a quote from Page about the formation of the group.
“Money Can't Buy ”
This track has a heavy Paul Rodgers influence. You really get a good sense of Rodgers’ vocal strength here. Tony Franklin was famous for playing the fretless bass.
“Satisfaction Guaranteed”
This song got some great airplay back in the day. It has a slow anthem quality to it, combining both elements of Led Zeppelin and Bad Company.
ENTERTAINMENT TRACK:
“Lunatic Fringe” - performed by Red Rider
This track is off the soundtrack from the movie “Vision Quest.” A soundtrack is LOADED with talent of the day.
STAFF PICKS:
“How Soon is Now” by The Smiths
The Smiths were a staple of alternative rock in the mid-'80s. Bruce shares their most popular song, but it didn't go very high in the charts because it had been released previously as a B-side. The reverb is distinctive and the lyrics are melancholy.
“Relax” by Frankie Goes to Hollywood
Wayne steps away from his typical HARD ROCK and presents this song that is easy to identify with 1985, although it was controversial due to its lyric content. It was banned in the UK at the time. Frankie say...Relax!
“California Girls” by David Lee Roth
One of Brian’s favorite videos — Roth shows off his entertainment chops on the video to this Beach Boys cover. This solo effort may have added fuel to the fire that eventually resulted in the departure of David Lee Roth from Van Halen.
“Call to the Heart” by Giuffria
Rob shares one of the precursors to the hair bands of the late '80s. Gregg Giuffria had a Steve Perry-esque sound. The album peaked at #26 on the album charts.
LAUGH TRACK:
“I Drink Alone” by George Thorogood and the Destroyers
We close out on this podcast with some amazing lyrics....“Every morning just before breakfast, I don't want no coffee or tea. Just me and by good buddy Wiser, that's all I ever need!”
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

“So” by Peter Gabriel
Bruce is excited about this blockbuster hit album. After four solo albums without a name, the record company finally persuaded Peter Gabriel to name this fifth album. So is a synthesizer-heavy album influenced by world music. It shows Gabriel's experimental side, but it was a more approachable album than his other releases, and it was a huge hit in the mid-'80s both on radio and MTV. Gabriel went from a cult star to a mainstream star in the rock genre very quickly with this five-fold platinum album. There's really not a bad track on this album, and the majority of the songs received airplay.
Join us as we have a BIG TIME with this SLEDGEHAMMER of an album!
“In Your Eyes”
This song leads off side two. Gabriel wanted to make it the last song, but the bass line is so strong that it needed to be near the front of the album to give the record stylus room to vibrate. This track became popular after the release of the movie "Say Anything."
“Red Rain”
Red Rain This track leads off the album. Gabriel wanted it to "crash at the front." Stewart Copeland (Police) does the symbol work at the front of this dark, melancholy song.
“That Voice”
This one qualifies as a deeper cut. Nice bass work by Tony Levin on this heavily layered exploration of conscience - the voices in your head.
“Big Time”
Emblematic of the yuppie culture of the ‘80's, this song satirizes the "bigger is better - greed is good” culture of the time. Stewart Copeland (of the Police) is on drums, while Tony Levin is fingering the bass and Jerry Marotta is playing the strings on the bass with drumsticks to give it the "slap bass" sound.
ENTERTAINMENT TRACK:
“Danger Zone” - the theme from “Top Gun” by Kenny Loggins
This tune was a hit from the mega-hit movie “Top Gun” featuring Tom Cruise. It’s actually a good soundtrack!
STAFF PICKS:
“I Wanna be a Cowboy” by Boys Don’t Cry
Brian! Oh, Brian — I mean, Ted! Oh, Ted! Fighting off danger! This one hit deadpan comedy wonder could be heard in all the clubs in 1986.
“All the Things She Said” by Simple Minds
Rob shares the third single from Simple Minds’ seventh studio album, and it’s a great track. The B-side to the single is a live version of “Don't You Forget About Me,” their most famous song (but one that the lead singer hated).
“Touch & Go” by Emerson, Lake, & Powell
Wayne goes for ELP...but not Palmer in this case! Cozy Powell takes over percussion duties from Carl Palmer, who was unavailable to reform Emerson, Lake, & Palmer due to his work with the supergroup, Asia. The synthesizer melody is based on an English folk tune called “Lovely Joan.”
“No One is to Blame” by Howard Jones
Bruce closes out staff picks with this one. Jones originally put out this song on his “Dream Into Action” album. It became a hit after Phil Collins produced the re-recording, and added the drum work and backing vocals. This track appeared on Jones' third album entitled "One to One."
LAUGH TRACK:
“The Chicken Song” by Spitting Image
This number one song in Britain was from a comedy TV show which used puppets designed to look like famous politicians and celebrities. This is where Genesis got their video for “Land of Confusion.” Check out the video.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

“Led Zeppelin III” by Led Zeppelin
Brian presents this CLASSIC album, “Three” — by Led Zeppelin. Giants of the rock genre and precursors to the heavy metal sound, Led Zeppelin would set the standard for decades as one of the big four (along with The Beatles, The Rolling Stones, and The Who) super groups of Rock and Roll. Powered by Jimmy Page on guitar, John Paul Jones on bass, Robert Plant on vocals, and John Bonham on percussion, Led Zeppelin was a household name in the rock world by 1970 when they released their third album, simply known as Led Zeppelin III. This album is a great one, but often underrated due to the fame of Led Zeppelin's second and fourth albums. Today we travel back to October 1970 to check out Led Zeppelin III and a number of other tunes at the turn of the decade.
“That's The Way”
This track has a heavy folk and acoustic influence. The album was recorded using a mobile studio, and takes a much mellower tone as a whole than many of the other Led Zeppelin albums. The song was originally called "The Boy Next Door."
“Tangerine”
This song was written in 1968 while Jimmy Page was still with The Yardbirds. Less acoustic than "That's The Way," but still a mellow, almost Pink Floyd feel.
“Gallow's Pole”
This is an updated arrangement of a folk song called "The Maid Freed from the Gallows." John Paul Jones plays mandolin, and Jimmy Page plays banjo on this song, while Plant's vocals soar.
“Hey, Hey, What can I do”
Originally cut as a B-side to "The Immigrant Song," this song was re-released on their Coda album. "I said I got a little woman and she won't be true!" "Gonna leave her with the guitars playing."
ENTERTAINMENT TRACK:
Theme from “Sesame Street”
The Public Broadcasting Service (PBS) began broadcasting in 1970, ad Sesame Street was one of the first and key shows.
STAFF PICKS:
“Empty Pages” by Traffic
Rob's pick has a funky jazz feel. Steve Winwood's distinctive vocals front this psychedelic group. From the fourth Traffic album “John Barleycorn Must Die.”
“All Right Now” by Free
Paul Rodgers fronted this short-lived group, which is why it sounds so similar to Bad Company. “Now don't you wait, or hesitate, let's move before they raise the parking rate!”
“Green-eyed Lady” by Sugarloaf
Wayne points out the iconic bass line. A “two hit wonder,” this American band had two big hits, “Don't Call Us, We'll Call You,” and this song.
“Out in the Country” by Three Dog Night
Brian highlights this song written by Paul Williams. There was a huge environmental movement in 1970, and this song taps into that energy.
LAUGH TRACK:
“A Girl Named Johnny Cash” by Jane Morgan
A parody of...a parody... kind of like Inception, maybe? We finish up with Morgan's spoof of Johnny Cash's spoof entitled “A Boy Named Sue.”
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

“Nothing’s Shocking” by Jane’s Addiction
Wayne presents this album, “Nothing's Shocking,” — the first studio album by Jane's Addiction. This alternative rock band from Los Angeles had released a self-titled live album in 1987. Perry Farrell was the lead singer and writer for the group. The group would break up in the early 90's over how to split the money. Although tensions in the band would drive the split, their heavy, angry, wall-of-sound approach would lead the way for the grunge music to come a few years later.
We hope you enjoy this heavy hitting feature.
“Idiots Rule”
This funky rock song with special guest Flea (of Red Hot Chili Peppers fame) on horns starts heavy and drives on through the track.
“Ocean Size”
This track explains the mentality of a surfer, and the desire to be near the waves. Perry Farrell wrote this at a low point in his life.
“Had a Dad”
Here is a rare guitar solo at the beginning of the song. This track is about Eric Avery finding out that the person he believed was his biological father was actually his stepfather.
“Mountain Song”
Not really about a mountain, but about coming down from an acid trip. This song got a little air play at the time, though not as much as “Jane Says.”
ENTERTAINMENT TRACK:
Theme from “Roseanne”
This was the first run of the show — it launched in August of 1988 and ran through 1977.
STAFF PICKS:
“Look Out Any Window” by Bruce Hornsby and the Range
Brian shares this single from Hornsby's second studio album. It features complex piano work and progressive lyrics.
“No Smoke without a Fire” by Bad Company
Rob picked this hit from the post-Paul Rodgers days. It features vocalist Brian Howe on this late 80's hit.
“The Only One” by Jimmy Page
This was from Page's lone solo album, and Bruce got into it. It was an obvious hit with Led Zeppelin front man Robert Plant's vocal contributions. Jason Bonham is on drums as well
“Let it Roll” by Little Feat
The re-formed Little Feat produced this fast moving and very popular track with a Southern Rock boogie feel. Wayne says, “She's like a smooth stretch of highway.”
LAUGH TRACK:
“Don’t Worry, be Happy” by Bobby McFerrin
We feature the opposite of an instrumental piece on this acapella track to finish up the session this week. Be Happy, folks!
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

“The Cars” by the Cars
This was one of the first albums Rob bought after he got his first Stereo System. The Cars are from Boston and clearly evolved out of the NEW WAVE trend. Ric Ocasek and Benjamin Orr met in Cleveland, Ohio in the 1960s, and released this hit-filled debut album in June of 1978. It reached 18 on the Billboard Charts, and the band was rewarded by Rolling Stone Magazine fans as “Best New Artist” that same year. Ric Ocasek and Benjamin Orr take turns on vocals on these synthesizer-heavy tracks. The Cars was a name selected for because it was easy to spell, hard to forget, and appeared at the top of the alphabet, which made it an easy group to find in the record store.
In April 2018, The Cars were inducted into the Rock and Roll Hall of Fame, we hope you enjoy these picks and “like the way she dips.”
“Moving in Stereo”
One of the coolest ways to use stereo, this song has an eerie quality to it, that you just can't ignore. Sung by bassist Benjamin Orr,
you may remember it from “Fast Times at Ridgemont High” as Judge Reinhold character’s dreams about Phoebe Cates’ removing her top.
“Bye Bye Love”
Originally performed, and recorded by Ocasek, Orr and Elliot in their first band, “Cap’n Swing,” this is Ocasek singning.
“My Best Friend's Girlfriend”
The band Nirvana actually performed “My Best Friend’s Girl” at their final concert on March 1, 1994 in Munich.
“It’s All Mixed Up”
Ric Ocasek’s “icy-cool” vocals garnered the attention of most fans, but Benjamin Orr’s voice adds a warm quality you can’t ignore.
Keyboardest, Hawkes exchanged the keyboard for the SAX — the only one in the Cars’ library.
ENTERTAINMENT TRACK:
“Diff'rent Strokes” by The Edwin Davids Jazz Band
Gary Coleman's vehicle to fame was this family TV show.
STAFF PICKS:
“Hot Child in the City” by Nick Gilder and Time Machine
Wayne shares this hit off Gilder's second solo album -- a popular one at the skating rink. The lyrics are much darker than they appear at first, as it focuses on exploitation of girls in what would come to be known as sex trafficking.
“Baby Hold On” by Eddie Money
This hit is from Eddie Money's self-titled debut album, and one of Brian's favorites. The album went to number 37 on the strength of this song and "Two Tickets to Paradise."
“Kill the King” by Rainbow
Bruce shares how Ronnie James Dio and Ritchie Blackmore teamed up in this early heavy metal band. Blackmore tended to be a critic of the band members, and this would be Dio's last album with Rainbow before he went on to take over front man duties for Ozzy in Black Sabbath.
“Imaginary Lover” by Atlanta Rythm Section
“Imaginary Lover” is a 1978 hit single by the Atlanta Rhythm Section, the first release and greatest hit from their album Champagne Jam.
If you play it at 45 Speed, it sounds like Stevie Nicks. According to Rolling Stone Magazine, “An FM station accidentally played the Atlanta Rhythm Section album cut “Imaginary Lover” at the wrong speed – 45. Favorable calls began to light up the switchboard, so the disc jockey let it play. Speeded up, the song sounded unmistakably like Fleetwood Mac, with Stevie Nicks warbling lead vocals.”
“News quickly reached Nicks in Los Angeles. She rushed out to buy the record and played it at the wrong speed. “I got chills,” says Stevie. “It sounds exactly like something I’d sing, the way I’d sing it. I even played it for Christine [McVie], mixed in with some other demos for the new album. She complimented me on it.”
LAUGH TRACK:
“Feels So Good” by Chuck Mangione
This popular jazz instrumental hit from the summer of 1978 takes us out for this What the Riff session.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Episode 27 — Christmas Songs that ROCK
We're trying something new in this podcast, folks. As Christmas approaches, we're highlighting some of the Rock and Roll Christmas songs we've heard over the years. From the sublime to the slightly corny, covers to originals, Rock music has lent its voice to the Advent season. Join us this week as we review some of the classics and deeper cuts that have made for a Rock and Roll Christmas season.
Bing Crosby and David Bowie - Peace on Earth/Little Drummer Boy
This song was featured in September of 1977 for "Bing Crosby's Merry Old Christmas," which would be the last of Crosby's Christmas specials. It was surreal to see the glam rock Bowie paired with American icon Crosby in this inter-generational duet. Bowie balked at performing "The Little Drummer Boy," and so creators Ian Fraser,Larry Grossman, and Alan Kohan added the "Peace on Earth" counterpoint.
Twisted Sister - O Come All Ye Faithful
Not exactly a classic of the genre here. Twisted Sister simply puts the words to “O Come All Ye Faithful,” with the music from their well known classic “We're Not Gonna Take It.”
Cheap Trick - I Want You for Christmas
Here's Cheap Trick's take on Christmas, just taking their hit "I Want You To Want Me" and converting it to a Christmas song. Not original, not a lot of staying power, but if you prefer your Christmas tunes to have a certain lounge lizard appeal, this may be what you're looking for.
Chuck Berry (and Lemmy) - Rudolph Run
From 1958, Berry takes his turn at a Christmas song which has become a standard over time. This tune was very similar to his hit “Johnny B. Goode.” Also featured is the 2008 remake by Lemmy Kilmister (of Motorhead fame), Billy Gibbons (ZZ Top), and Dave Grohl (Nirvana) in a distinctly crunchier take on the compilation “We Wish You a Metal Christmas.”
Elvis Presley - Silver Bells
Jay Livingston and Ray Evans wrote this song which was originally performed by Bob Hope and Marilyn Maxwell in the movie “The Lemondrop Kid” in 1950. Presley covered this song in 1971 for his Christmas album at the height of his comeback era. Presley never performed outside the United States.
The Kinks - Father Christmas
From 1977, this original song tells the story of a department store Santa who gets beat up by some poor kids looking for money. Over time this has become a classic Rock Christmas song, covered by a number of artists. You'll hear this tune on "That 70's Show" and "Bob's Burgers."
Queen - Thank God It's Christmas
Another original song from 1984, this song was on the UK charts for 6 weeks.
Da Surfones - Waikiki Christmas
It's not the Beach Boys, but close. Because who needs a White Christmas?
Suddenly, Tammy! - Rock 'n Roll Santa Claus
Alright folks, listen to this tune and see how many snippets you can identify.
Gary Walker and the Boogie Kings - Santa's Got a Brand New Bag
And, this is not James Brown. Another Christmas take on a prior hit, this time it's "Papa's Got a Brand New Bag"
James Brown - Santa Go Straight to the Ghetto
The Godfather of Soul has to get into the Christmas spirit.
Run D.M.C. - Christmas in Hollis
From 1987, this song was played in the 1988 (arguably) Christmas movie “Die Hard.”
James Slater - All I Want from Santa (is a girl from Atlanta)
This was a big hit in metro-Atlanta when it came out in 1983. Slater wrote this song for an upcoming gig in Atlanta, and it got solid air play on 96 Rock (WKLS) at this time.
The Waitresses - Christmas Wrapping
I know what boys like...for Christmas, perhaps. This Ohio group has another hit on their hands for the holidays.
Greg Lake — I believe in Father Christmas
They said there'd be snow at Christmas, they said there'd be peace on Earth. The instrumental riff is from the "Troika" portion Prokofiev's "Lieutenant Kije"
Bob and Doug McKinsey - The Twelve Days of Christmas
Our friends from SCTV and the Great White North close out the podcast with this comedy track from 1981.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

JULY of 1981 “Escape” by Journey
Brian hosts this seventh album from JOURNEY — Escape, which catapulted the rock group into the stratosphere on the strength of Steve Perry's soaring vocals, Neal Schon's hook-laden guitar riffs, and newcomer Jonathan Cain's keyboards and songwriting. The album artwork featured a stylized scarab spaceship breaking out of a sphere.
This album transitions from a straightforward hard rock vibe with "Keep on Runnin'" to a more mellow rock sound with Perry's well-known ballad "Open Arms." You just can't go wrong with this classic album.
“Escape ”
The title track from the album is fast-moving and features lots of high notes from Steve Perry.
“Stone in Love”
This track is one of many hits off this album, with a great bass counter melody, a fantastic guitar riff, and soaring harmonies.
“Keep on Runnin'”
Neal Schon's influence is clear in this heavier, faster, deeper cut. Perry's and Schon's relationship appears to have improved since Journey's Hall of Fame induction.
“Still they Ride”
Time for “couples skate.” Perry's vocal range is highlighted in this somewhat deeper cut ballad. The songs on this album are so popular that it is difficult to identify a deep cut.
ENTERTAINMENT TRACK:
“Believe it or Not” from the TV Show, “The Greatest American Hero” — by Joey Scarborough
This is the theme from the TV show "The Greatest American Hero" by one of the greatest THEME SHOW writers of them all...Mike Post.
STAFF PICKS:
“Urgent” by Foreigner
Bruce shares that the producer for this album had the band work with Thomas Dolby to specifically get the sound he wanted. Junior Walker was the Motown saxophone player on this song.
“Riding with Angels” by Samson
That familiar voice is Bruce Dickinson, better known as the front man for Iron Maiden — another of Wayne's favorites. Believe it or not, Russ Ballard originally wrote and performed this song.
“Talk to Ya Later” by the Tubes
Rob takes us through this cautionary tale about a one-night stand that...refuses to leave. Surprisingly, this song is co-written by David Foster.
“The Breakup Song” by the Greg Kihn Band
Off their fourth studio album "Rock Kihn Roll," this is a lament that the great breakup songs of the 60's aren't around. According to Brian, “they don't write 'em like that anymore.”
INSTRUMENTAL / LAUGH TRACK:
“Elvira” by the Oakridge Boys
If you were around in 1981, you heard this song...and you probably enjoyed watching another, ELVIRA, mistress of the Dark.
Check out that ultra-deep bass.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

APRIL of 1976 “2112” by Rush
Bruce brings us one of his all-time-favorites. This album is the one where Rush became RUSH. In the wake of "Caress of Steel" their third album which was neither a commercial nor a critical success, Mercury Records considered dropping the band. Ray Daniels, manager for Rush, negotiated to have the group make one more album. The label wanted them to make more accessible songs — shorter— with more singles. NOPE. Instead, Geddy Lee, Alex Lifeson, and Neil Peart created an album in which the entire first side was an Ayn Rand-influenced distopian sci-fi epic!
Join us as we take a journey past the Temples of Syrinx where creativity and individualism have been banned in the year 2112.
“2112 part 1 - Overture”
This was the last song recorded of the 2112 epic. It is an instrumental summary of the entire piece, similar to classical symphonies of the past, and has a brief nod to the 1812 Overture.
“2112 part 2 - The Temples of Syrinx”
Geddy Lee's lyrics are very high and sometimes unintelligible. This portion introduces the powers that rule the world - the priests of the temples of Syrinx, who ban creativity and individualism.
“2112 part 3 - Discovery”
We are introduced to the protagonist, who finds a guitar and learns how to play it. What can this strange device be? Rush received a lot of criticism for writing an Ayn Rand - inspired piece.
“2112 part 4 - Presentation”
The priests are not as excited about the discovery as the protagonist expects. They destroy the guitar.
“2112 part 5 - Oracle: The Dream”
Alex Lifeson rips off a great guitar solo to start this section. Lifeson and Lee have been friends since the 8th grade. This section tells of a dream of another planet outside the Solar Federation where creative people still live.
“2112 part 6 - Soliloquy”
It was all a dream, and the protagonist takes his life rather than live in captivity.
“2112 part 7 - Grand Finale”
But was it all a dream?
ENTERTAINMENT TRACK:
“Keep Your Eye on the Sparrow” from the TV Show, Baretta
Robert Blake's hard knock cop show.
STAFF PICKS:
“Elliptical Seasons” by Star Castle
Wayne was excited that this progressive rock group from Illinois has a similar feel to Yes. Terry Luttrell, frontman for Starcastle, was also the frontman for REO Speedwagon
“Golden Years” by David Bowie
Rob shares that this was written and recorded for (and ultimately rejected by) Elvis Presley by the ever-changing and terribly creative David Bowie. This song reached number 10 on the charts.
“Union Man” by the Cate Brothers
Brian likes this track because in the mid 60's the Cate Brothers were a "country soul" act from Arkansas, but had their "one hit wonder" with this funk rock fusion song in 1976.
“Sara Smile” by Hall & Oates
Bruce is bringing this top 10 hit, written about Hall's then-girlfriend, Sara Allen, who contributed to a number of songs including “Private Eyes” and “Maneater.”
INSTRUMENTAL / LAUGH TRACK:
“Lumberjack Song” by Monty Python
I'm a lumberjack and I don't care....Monty Python received a big boost in 1976 when PBS began replaying their "Flying Circus" show from the BBC
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

JULY of 1982 “Pictures at Eleven” by Robert Plant
With drummer John Bonham's death in 1980, Led Zeppelin disbanded. “Pictures at Eleven” was Zeppelin front man Robert Plant's debut solo album — one that Rob appreciated even more than Zepplin. Plant put together an excellent collection of talent to help out, including Genesis drummer Phil Collins and ex-Rainbow drummer Cozy Powell, session guitarist Robbie Blunt, and Black Sabbath keyboardist Jezz Woodroffe. “Pictures at Eleven” was released in June 1982 and hit number 5 on the Billboard 100 in July.
We hope you enjoy “Burning Down One Side” of this trip down the 1982 memory lane.
“Burning Down One Side”
It is hard to get away from the Zeppelinesque sound ​on this biggest hit from the album. Phil Collins is on drums on this one.
“Pledge Pin”
The beat takes an uptick on this track. Raphael Ravenscroft of Baker Street fame is jamming on the sax here.
“Slow Dancer”
A little slower piece, with a mysterious, “Kashmir” feel. This album showed that Robert Plant was more than just a singer. This is perhaps the closest to Led Zeppelin of the songs we feature from the album.
“Fat Lip”
This is a more mellow, folksy track, which feels more like Dire Straits. A Roland drum machine, an early synthesized drum, was used on this song.
ENTERTAINMENT TRACK:
“The Wrath of Kahn” from Star Trek II
The most popular Star Trek movie which brought back the Star Trek franchise.
STAFF PICKS:
“Psychobabble” by The Alan Parsons Project
Wayne shares this hit from the Eye in the Sky album. “ I don't care, it's all psychobabble rap to me.” This track also has some similarity to the Beatles' "A Day in the Life."
“I Think I’m in Love” by Eddie Money
Brian's pick is a familiar hook-laden single from Eddie Money's 1982 album "No Control."
“Avalon” by Roxy Music
Bruce presents this title track from Roxy Music's eighth and final album. This adult-oriented low-key song was recorded in Nassau.
“Slit Skirt” by Pete Townshend
This song is off the album “All the Best Cowboys have Chinese Eyes.” Rob's favorite lyric, “No one respects the flame like the fool who's badly burned.” Lots of key changes in this track. “But unlike me she don't work out her frustration in the gym.”
INSTRUMENTAL / LAUGH TRACK:
“Sirius” by the Alan Parsons Project
We close out this episode with this fantastic instrumental famous for its use in sports venues, especially the Chicago Bulls during the Michael Jordan era.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

JUNE of 1971 “One World” by Rare Earth
Detroit-based Rare Earth brought a funk rock fusion sound to the scene. Motown was looking to expand its repertoire and signed Rare Earth to a yet-to-be-named record label more focused on white rock acts. When members of Rare Earth suggested that they name the record label "Rare Earth," Motown surprisingly decided to do so. Rare Earth had a string of successes in the late 60's and early 70's, and this fourth album entitled One World was one of these successful albums. Rare Earth was a conservation minded group, but did so with a positive and psychedelic slant. We hope you enjoy this venture into a great album from Rare Earth.
​
“The Seed”
This is an environmentally focused track. Does the seed bloom or does it die?
“Any Man Can Be a Fool”
This track talks about what it means to be a man. Lots of solid rock groups came out of Detroit at the time, including Grand Funk Railroad, Alice Cooper, and Ted Nugent.
“When I Die”
The Vietnam War was a big issue at the time, and this song tells of a solder who wants to make sure his body is brought home. The great harmonies and the chromatic progression with a minor key slant set the tone nicely.
“I Just Want to Celebrate”
This is the big hit off the album, and is a mainstay of rock and roll funk. It has a positive, soulful sound, and was a top 10 song at the time.
ENTERTAINMENT TRACK:
“Pure Imagination” by Gene Wilder
You’ll recognize this piece from "Willy Wonka and the Chocolate Factory," which was released in June 1971.
STAFF PICKS:
“Indian Reservation” by Paul Revere and the Raiders
Rob shares that this song was actually written in 1959, and a hit in 1968. When Paul Revere and the Raiders covered it in 1971, this song became their only hot 100 number 1 hit.
“(I Know) I'm Losing You” by Rod Stewart
Bruce shares this cover — perhaps the best known iteration of the Temptations song. A number of people covered it, including Rare Earth in 1970. Most (perhaps all) of The Faces played on this song.
“Me and You and a Dog Named Boo” by Lobo
This soft rock song went to number 5 on the Billboard hot 100. Brian loves it, and feels It reflects the back-to-earth feel that was popular in the early 70's.
“Could’ve Been a Lady” by Hot Chocolate
This is the original soul rock version that was covered by April Wine a year later. This is a solid break-up song. Wayne points out that Hot Chocolate is better known for their song "You Sexy Thing."
LAUGH TRACK:
“Chick-a-Boom” by Daddy Dewdrop
This comedy song finishes off our episode this week. Don't you just love it?
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.