What the Riff Next Gen

We've profiled albums from bands which were a mess in real life before, but it would be hard to identify a more "bad boy" oriented group than the Sex Pistols.  We'll also not be profiling any other Sex Pistols studio album…because Never Mind the Bollocks, Here's the Sex Pistols is their sole studio album.  The Sex Pistols put out a number of singles ahead of the album, so while the full album was released in October of 1977, their single "God Save the Queen" was released in May of 1977.  The Sex Pistols defined Punk Rock in a way that would influence the entire genre for decades.
Members of the group were Glen Matlock on bass, Steve Jones on guitar, Paul Cook on drums and Johnny Rotten (who got the nickname for his bad teeth) on lead vocals.  Sid Vicious would come in on bass after Matlock split with the group.  
The members didn't get along with each other, didn't get along with the media, the public, or pretty much anyone.  They had already had an obscenity-laden interview on television in December 1976 which kept the tabloids busy for days afterward, and "God Save the Queen" continued their infamous image with its broadside against conformity and the crown.
The popularity of the Sex Pistols was a reflection of the underlying resentment towards the tough times in England during the late 70s.  Their enduring popularity is a reflection of the punk movement the Sex Pistols helped to found in this short-lived group and album.
 
God Save the Queen
Also known as "No Future," with lyrics like "God Save the Queen, she ain't no human being," it is not surprising that the BBC refused to play the song.  Despite this, it went to number 2 on the charts in the UK.  The Sex Pistols leased a boat just before the Queen's Jubilee (25-year anniversary) and played off it past Westminster Abbey and Parliament.  They were arrested as they exited the boat.
Submission
This deeper cut takes a different pace than your normal punk song, but plays on words.  "I'm on a submarine mission for you baby."  Not as submissive as it appears at first, is it?  Their manager wanted them to do a bondage-type song, but the band never was known to take instructions very well, and so created this pun on the word as a result.
Pretty Vacant
This third single was one of the first songs written by the group.  The track is a rant about appearances masking a lack of substance.  "I'm so pretty, you're so pretty...pretty vacant...and we don't care."  The music of the Sex Pistols remains loud, and uses simple power chords.
Anarchy in the UK
The Sex Pistol's first single released is iconic.  "Don't know what I want, but I know how to get it.  I want to destroy the passerby."  
 
ENTERTAINMENT TRACK:
The theme from the television series “The Brady Bunch”
We apologize for the abrupt change!  "The Brady Bunch Hour" variety show had its last airing in May 1977.
 
STAFF PICKS:
Calling Dr. Love  by Kiss
Brian's staff pick starts us with more cowbell!  Gene Simmons takes lead vocals on a song inspired by a short from "The Three Stooges," entitled "Men in Black," where they were calling various Doctors.  Katey Sagal (from Married...With Children) is a backing vocalist on this song. 
Heard It In a Love Song by The Marshall Tucker Band
Bruce brings us the highest charting single from Spartanburg, South Carolina's own.  The Marshall Tucker Band got their name from a door key to the warehouse whey had rented for rehearsal, which had the name "Marshall Tucker" inscribed on it.  Later they found out that the key belonged to a blind piano tuner who had tuned a piano in the rented space just before their arrival.
Lonely Boy   by Andrew Gold
Rob's staff pick was on the charts for about two months, and tells a story about a family raising a boy who is the center of their world until his little sister comes along.  Linda Ronstadt contributes to the vocals in this track.  Andrew Gold had a close association with Ronstadt.
Couldn't Get It Right  by Climax Blues Band
Wayne gets his groove on with a two-hit wonder from an English band.  The band wrote the song "from absolutely nowhere" after their label couldn't find a standout song for the single from their album.  The lyrics were inspired by the band searching for the "Holiday Inn" sign for their motel after a show on their tour in America. 
 
INSTRUMENTAL TRACK:
Cruise Control by the Dixie Dregs
We finish off this week with a long instrumental from the prog rock band the Dixie Dregs.  This is likely their most famous song, and is covered by a lot of bands.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The Grateful Dead are most famous for their status as a tour band, jam band, and cult band.  They may be the greatest touring rock group of the rock era.  They were originally known as the Warlocks when they formed in 1965 in San Francisco, but had to change the name when they discovered another band already using the title.  Jerry Garcia found the word "Grateful Dead" in a dictionary, meaning "the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial."
Jerry Garcia is the guitarist and vocalist, and probably the most famous member.  Bob Weir is also on guitar and vocals, Phil Lesh is on bass, Brent Mydland is on keyboards and vocals, and Mickey Hart and Bill Kreutzmann share duties on drums.
In the Dark is the twelfth studio album by the Grateful Dead, and their most commercially successful album.  Although The Dead hadn't recorded in six years, most of these songs would be familiar to "Dead Heads" from their touring lineup, as much of the album had been played since 1982 or 1983.  The album got its name because they recorded the baseline tracks for the album in an empty darkened theater with the same lighting they would use on tour in order to capture the "feel" they had for the songs.  The cover art had lettering in the shape of an eye, and inside the "eye" are photos of the band members eyes.  The CD release had the photos upside down.
Bruce shares with us this masterpiece from the cult phenomenon known as The Grateful Dead.
 
Touch of Grey
This is the single from the album.  It reached number 9 on Billboard's Hot 100, and number 1 on the Mainstream Rock Tracks.  It was first performed as an encore on September 15th, 1982 in Maryland.  The Grateful Dead encourage to record the music during their tours, and the number of bootleg recordings make it easy to track the original debuts of songs.  Touch of Grey is the only Grateful Dead song to hit the top 40, so technically The Grateful Dead are a one-hit wonder!
West L.A. Fadeaway
This blues piece was also originally performed in 1982.  Supposedly this is a tribute to John Belushi's death at the Chateau Marmont hotel in 1982.  Belushi had appeared onstage with the Dead at least once, in New Jersey in 1980.  The opening lyric begin, "I'm looking for a Chateau, 21 rooms but one will do."  Jerry Garcia had a bad drug problem in the early 80's and started cutting back on opiate usage in 1985.  He slipped into a diabetic coma for several days in 1986, so he was lucky not to have shared Belushi's fate by this time.
My Brother Esau
This is a deep cut — so deep that it didn't make it onto the album.  It also didn't make it onto the CD, but was the B-side for the “Touch of Grey” single and made it on the cassette version of “In the Dark.”  It is an updated story of the Biblical tale of Jacob and Esau, set in the Vietnam war era.  It was originally performed in 1983 in Tempe, Arizona.  
Hell In a Bucket
While this song sound smooth and upbeat, the lyrics are dripping with venom towards an ex-lover. While not a single, this song received considerable air play on rock-oriented stations in 1987.  "I may be going to hell in a bucket, baby, but at least I'm enjoying the ride."
 
ENTERTAINMENT TRACK:
“Good Times” by INXS with Jimmy Barnes (from the motion picture “The Lost Boys”)
The movie that started the trend towards young, good looking vampires was released this month with a killer soundtrack.  This one was a cover of a song originally done by The Easybeats
 
STAFF PICKS:
“Painted Moon” by The Silencers
Rob starts off the staff picks with a group from Scotland that formed in London in 1986.  The Silencers have been compared to U2, Big Country, and Simple Minds.  Painted Moon is off their debut album, “A Letter from St. Paul,” and made it to the top of the charts in August 1987.  The Silencers would put out three albums before their popish stile was eclipsed by the grunge movement.
“Detox Mansion” by Warren Zevon
Wayne's staff pick comes from the composer of "Werewolves of London."  If this track reminds you of REM, there's a reason:  REM is the backing band for this song and this album, "Sentimental Hygeine."  The song deals with drug use and recovery.  "Well, its tough to be somebody, and it's hard to keep from falling apart up here on Rehab Mountain we gonna learn these things by heart."
“Girls, Girls, Girls” by Motley Crue
Brian's staff pick is a straightforward elegy to strip clubs.  Motley Crue takes a lyrical journey around the country to reminisce about famous - or perhaps infamous - "gentlemen's clubs" in different U.S. cities.
“Mary's Prayer” by Danny Wilson
Bruce's staff pick is from a Scottish pop group formed by Gary Clark, Kit Clark, and Ged Grimes.  Their originally name was Spenser Tracy, but they changed the name at the last minute under threat from actor Spenser Tracy's estate.  The name Danny Wilson comes from a 1952 Frank Sinatra film.  The song has a lot of religious imagery, but at its root is a story about a boy losing a girl and missing the days when he meant the world to her.
 
INSTRUMENTAL TRACK:
“Pipeline” by Dick Dale and Stevie Ray Vaughan
This instrumental track was from the beach movie "Back to the Beach", and hearkens back to the 60's beach music  Stevie Ray Vaughan and Dick Dale cover this classic tune for the movie.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

It is hard to think of a time in the rock era when Crosby, Stills & Nash were not already a mainstay of the genre, but every rock legend has an origin, and the self-titled debut album first appeared in May of 1969.  It was a near-instant success and one of the harbingers of a turn from blues-oriented rock to more acoustic, folk-oriented rock that would usher in the decade of the 70's.
Crosby, Stills & Nash were a supergroup from their debut.  David Crosby came from The Byrds, Stephen Stills came out of Buffalo Springfield, and Graham Nash was from The Hollies.  Each was a songwriter as well as a vocalist and instrumentalist (Crosby on guitar, Stills on guitar and keyboards, and Nash on guitar).  The addition of Neil Young (who has also previously played with Buffalo Springfield) would come after the album was released.
As you listen to this podcast pay attention to the harmonies in the songs.  That is the calling card for CS&N.  Band members differ on where the trio first sang together.  Crosby and Nash maintain that it was at Joni Mitchell's house, but Stephen Stills insists that he would have been too intimidated to sing at Mitchell's place, and that it was at Cass Elliot's (from The Mamas and the Papas) house!  Either way the harmonies were so good it was clear that they would have to form a group.  
Much of the album is accomplished with multi-instrumentalist Stephen Stills (aka "Captain Many Hands") playing on the tracks, though Crosby and Nash played guitar on songs that they wrote.  You can't duplicate this onstage however, so more instrumentalists had to be brought in for the tour — including Neil Young.  One of their first stops - only their second concert as a group in fact -  would be Woodstock, where they played a set between 3:00 and 4:00 a.m.
Rob brings us this harmonic, folk album.  We hope you enjoy it!
Suite:  Judy Blue Eyes
This song is one of two hit singles from the album.  The song was written by Stephen Stills, inspired by his former girlfriend, Judy Collins.  It is a play on words - “Sweet Judy” and written as a 4-part suite.  The first section is a pop song, the second section is in half tempo (relative to the first section), the third section picks up the tempo and is more poetic, and the fourth section is in Spanish.  
Long Time Gone
This should be a familiar track which is time-stamped from the late 60's.  It was written the night that Bobby Kennedy was killed.  David Crosby wrote this political, counter-cultural work.   “Speak out, you got to speak out against the madness, you got to speak your mind, if you dare.  But don't try to get yourself elected.  If you do you had better cut your hair.”
You Don't Have to Cry
The first song Crosby, Stills & Nash ever sang together is this deep cut.  Stephen Stills wrote this one as a love letter to Judy Collins, trying to convince her to move from New York to California.  “Are you thinking of telephones and managers and where you've got to be at noon?”
Helplessly Hoping
This deep cut was the B-side from the single for “Marrakesh Express” The beautiful acoustic work reminded us of songs like Fleetwood Mac's "Landslide" or Kansas' "Dust In the Wind."  
 
ENTERTAINMENT TRACK:
Everybody's Talking from the motion picture “Midnight Cowboy”
Harry Nilsson performs this Grammy award-winning cover from the first X-rated movie to win an Academy Award for Best Picture.
 
STAFF PICKS:
“Galveston” by Glenn Campbell
Brian's staff pick is one of three songs Jimmy Webb wrote for Campbell (the others being "By the Time I Get to Phoenix" and "Wichita Lineman").  
“Just a Little Bit” by Little Milton
Wayne takes us to the Mississippi delta for some blues.  Ike Turner discovered Little Milton for Sam Phillips at Sun Records.  Little Milton became more famous when he went to Checker Records, a more blues-oriented label.  Little Milton was a prolific blues artist.
“It's Your Thing” by The Isley Brothers
Bruce moves from blues to soul with the first hit from the Isley Brothers after leaving Motown Records.  Ronald Isley wrote the song while dropping his daughter off at school.  It features the lyrics “I can't tell ya' who to sock it to,” an adaptation of  a popular line from the time that originally appeared in Aretha Franklin's “Respect.”
“In-A-Gadda-De-Vida” by Iron Butterfly
Rob finishes off our staff picks with the radio version of the 17-minute psychedelic opus.  Is it heavy metal, is it acid rock?  We can't say, but Songfacts clears up the name as a misnomer.  The title was supposed to be "In the Garden of Eden," but someone wrote the name down wrong and the record label decided to stick with "In-A-Gadda-De-Vida" as an eastern-sounding title.
   
INSTRUMENTAL TRACK:
Theme from "Hawaii 5-0" by The Ventures
Surfs up as we close out this week's podcast with an instrumental from the cop drama which debuted in 1968 and ran for 12 seasons.  The Ventures' version of this song was on the charts this month as a top-5 hit.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In the aftermath of the death of Andrew Wood, lead singer of alternative rock bands Malfunkshun and Mother Love Bone, a supergroup was formed in tribute called Temple of the Dog and they released an album of the same name. Soundgarden's front man Chris Cornell had been Andrew Woods’ roommate previously, and wrote several songs inspired by Wood.  After returning to Seattle from a tour with Soundgarden, Cornell approached Stone Gossard (rhythm guitar) and Jeff Arment (bass) of Mother Love Bone about collaborating.  Temple of the dog was rounded out with Mike McCready (guitar), Matt Cameron (drums), and another singer — Eddie Vedder, who was in town to audition with a group soon to be known as Pearl Jam.
Temple of the Dog was recorded in 15 days at the end of 1990, and totally produced by the band.  There were no expectations from the record company, making the recording process a lot more relaxed for band members.  The album was released in April 1991 and initially sold 70,000 copies.  After the artists split company, going to Soundgarden and the newly-formed Pearl Jam, the record company realized that this collaboration between the two bands was a real gem, and they gave the album new interest with promotion in the summer of 1992.  
In retrospect the album and collaboration would receive much critical praise, but the most important aspect of the project was that the group agreed that Andy Wood would have really liked the songs.
We hope you enjoy this early grunge collaboration.
 
Say Hello 2 Heaven
This was a single from the album and one of two songs Chris Cornell wrote in tribute to Andrew Wood while he was on tour with Soundgarden.  Cornell's vocals are distinctive, though this song is a bit of a departure from what you would typically hear from grunge in general and Soundgarden in particular.  
Reach Down
This blues-inspired song is perhaps a deeper cut from the album, and is the second song Cornell wrote as a tribute to Wood while on tour before forming Temple of the Dog.   It is the second track on the album and contains a long guitar solo tribute from Mike McCready.
Pushin' Forward Back
This driving song in 7/4 time is the second single released from the album, and it has a proto-Pearl Jam feel to it.  "Gracious mother held me to her breast until the day I started pushin'."
Hunger Strike
Perhaps the most popular song on the album, this single is a duet between Cornell and Vedder.  The lyrics are an anti-capitalist rant against want.  The song and video was re-released after the popularity of Pearl Jam was established.
 
ENTERTAINMENT TRACK:
Theme from the television series "Dinosaurs"
This family-oriented sitcom was released by Jim Henson productions, and had puppets and people dressed as dinosaurs.
 
STAFF PICKS:
“Groovy Train” by The Farm
Wayne takes us to one of his favorite music spots, Manchester, for this staff pick.  The Farm were actually from Liverpool, and the song reached number 6 on the UK charts.  This was the first single from their debut album, Spartacus.   
“Lift Me Up” by Yes
Rob demonstrates once again that all roads lead to Yes, in this case a lot of members of Yes.  The song is from the album Union, and it was their last hit single. Unfortunately, although Arista records was able to bring the group back together, they just couldn't stay together.  The song is about a homeless person seeking help.
“Just the Way It Is, Baby” by The Rembrandts
Bruce's staff pick features a duo of Danny Wilde and Phil Solem.  This Rembrandts hit tells the story of a girl who is just using a boy.  When she realizes her mistake later on the tables are turned, because the boy has moved on.  The Rembrandts are best known for the theme song to the television series "Friends."
“Show Me the Way” by Styx
Brian finishes the staff picks this week with a late hit from Styx while Dennis DeYoung was in and Tommy Shaw was out. This song was penned by DeYoung as a prayer during a crisis of faith.  It went to number 3 on the charts, giving Styx hits across three decades. .
   
LAUGH TRACK:
“Ordinary Average Guy” by Joe Walsh
Joe Walsh parodies his earlier hit “Life's Been Good,” with a song about living a boring, average, ordinary life.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

All right.  I got something to say...It's better to burn out than fade away!
Def Leppard would go from a popular band to the stratosphere of rock music with their third album, Pyromania.  The band lineup for this album would be front man Joe Elliott, Rick Savage on bass, Rick Allen on drums, Steve Clark on Guitar, Pete Willis on rhythm guitar, and newcomer Phil Collen on guitar.   There's an explanation for why the lineup seems a bit guitar-heavy.  While the album was being recorded Pete Willis was fired for "excessive alcohol abuse."  Phil Collen was brought in as a replacement.  However, Willis' rhythm guitar work was used throughout the album.
The band was originally called Atomic Mass when they started in 1977.  Elliott proposed the name Deaf Leopard, and then-drummer Tony Kenning suggested changing the spelling to Def Leppard.  Just before they started recording at the end of 1978, Kenning left the band.  He was replaced by Rick Allen.  The entire band was young - Elliott was only 18 when they formed - but Allen was only 15 when he joined!
The band began becoming more popular with their second album, High 'n' Dry, which was produced by Robert John "Mutt" Lange.  Mutt Lange would also produce Pyromania and Hysteria, which were the killer albums for the group.
Pyromania is a bit of a transition album, as the songs ranged from hard rocking numbers to more popular MTV-oriented rock.  The big hits were staples in the MTV rotation, with "Rock of Ages," and the bit hit "Photograph," which knocked Michael Jackson's "Beat it " off the number 1 "most requested video on MTV.  But every song on the album is a good one.  We're featuring some of the deeper cuts to give you a sense of how awesome this album is beyond the big hits we know so well.
 
 
Rock! Rock! (Till You Drop)
This is the lead track on the album, and received air play on rock-oriented radio despite not being released as a single.  It's a pretty straightforward rock anthem.  It was originally titled "Medicine Man" according to Wikipedia, and had different lyrics.  "So grab a little heat and come along with me, 'cause your mama don't mind what your mama don't see."
Stagefright
This is a deeper cut that was the opening song for their Hysteria tour.  It was also a song about picking up groupies at the concert.  Def Leppard was legendary for their "activity" with groupies during breaks and solos at the concert.
Die Hard the Hunter
Here is a rare song with a deeper meaning.  This deep cut is about war and post-traumatic stress disorder.  It talks about a returning soldier who can't leave the war behind.  "You got no enemy, no front line.  The only battle's in the back of your mind.  You don't know how to change from bad to good.  You brought the war to your neighborhood."
Foolin'
This track is their third single from the album, and chronicles a love gone bad.  "On and on we rode the storm.  The flame has died and the fire has gone.  Oh, this empty bed is a night alone.  I realized that long ago."
 
ENTERTAINMENT TRACK:
Main Theme from the television series The A-Team
Here is Mr. T's big television role after Rocky III.  I love it when a plan comes together! 
 
STAFF PICKS:
Don't Tell Me You Love Me  by Night Ranger
Wayne kicks off the staff picks with this hit from Night Ranger's debut album "Dawn Patrol."  This has a straightforward rock style with a good balance between dual guitars and keyboards to create a wall of sound. Their first five albums sold over 2 million  
Even Now by Bob Seger & The Silver Bullet Band
Rob brings us the second hit from Seger's album "The Distance."  Many musicians were used on this album including the Mussel Shoals Rhythm Section, Glenn Frey, and Bonnie Raitt.  Seger worked with the Eagles on their song "Heartache Tonight."
Sexual Healing  by Marvin Gaye
Brian's staff pick takes the pace down with this iconic ballad - one of the first songs to use the Roland TR808 drum machine.  The song was inspired by a visit from author David Ritz, and an observation that Gaye needed to break away from pornography - he needed sexual healing!  Ritz wrote the song. 
Atomic Dog by George Clinton
Bruce cranks up the funk with the last Parliament Funkadelic song to reach number ` on the US R&B Chart.  Clinton was still "feeling pretty good" from a night of heavy partying and composed most of the song spontaneously - with David Spradley and Garry Shider standing on either side of him to keep him steady at the microphone.  "nothin' but the dog in me!"
 
INSTRUMENTAL TRACK:
Epilogue (Resolution) by Triumph
Classically trained Rik Emmett would have at least one instrumental on Triumph albums, and this one finishes their sixth album "Never Surrender."
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

One of the biggest, longest running, and commercially successful bands of the rock era was founded by Carlos Santana, the only consistent member of the band throughout the years.  That band of course is simply named Santana, and their debut album was also known as Santana.
Santana has always been about fusion, and you get that with this debut as well.  There's jazz, Latin, calypso, funk, and soul in there, all held together by the guitar virtuosity of Mexican-American Carlos Santana.  The debut album provides a lot of opportunity to take in Santana's guitar work with about half the songs being instrumentals.  Santana came to prominence with their live shows, and of course would be propelled to the top with their concert at Woodstock.
The lineup for this iteration of Santana would of course include Carlos Santana on guitar and backing vocals.  Greg Rolie would be on lead vocals and piano, as Carlos Santana usually had someone else on lead vocals in all the different iterations of his band.  Rolie would go on to found the band Journey, as would a future Santana member, Neal Schon.  Other band members were David Brown on bass, Michael Schrieve on drums, Michael Carabello, Jose "Chepito" Areas, and Marcus Malone on congas and percussion.
The band was formed in San Francisco in 1966 as the Santana Blues Band.  Promoter Chet Helms told the band that they couldn't be successful with Latin-infused rock, and recommended that Santana "keep his day job" as a dishwasher at Tick Tock's Drive-In.  Time would prove how wrong Helms' advice was.  Santana has sold over 43 million albums in the US, and perhaps 100 million worldwide.
Friend of the show Vann Mathis joins us for this podcast.
 
Soul Sacrifice
If you have seen the documentary about the August 1969 Woodstock music festival you may have heard this instrumental song.  This one had three screens projecting, one of the band and the other two scanning people at the concert.
Persuasion
A deeper cut sung by frontman and keyboardist Greg Rolie about a woman that his "put a spell" on a guy, and he can't think of anyone but her.  "Like the devil in disguise, something about you baby.  You're one, you're one of a kind."
Savor
This is a hard driving instrumental.  One thing you get from Santana other than the excellent guitar riffs is a lot of congas.
Evil Ways
This was Santana's second single the band's first hit, topping out at number 9 on the Billboard charts.  This song was a cover originally recorded by jazz percussionist Willy Bobo in 1967.  It has a great guitar solo.
 
ENTERTAINMENT TRACK:
The theme from the television series “Sesame Street”
The Sesame Street Kids sing this well-known children's television theme which debuted in November of 1969.
 
STAFF PICKS:
Sugar, Sugar  by The Archies
Brian's staff pick was performed by the cartoon band “The Archies.”  Don Kirshner heard it and decided that it needed to be released.  After persuading radio stations to play it, the song took off and became the biggest single hit of the year.
Suspicious Minds by Elvis Presley
Mark James wrote this and recorded it in 1968, but Elvis would make it successful in 1969.  It was his 18th and last number 1 single.  The song itself is inspired by James' relationship with his first wife.  He still had feelings for his childhood girlfriend, and his wife had suspicions about that.  
Undun   by The Guess Who
Rob's staff pick is from Winnipeg's own The Guess Who.  Randy Bachman wrote this about a girl he dated who went into a coma after doing drugs.  It is Bachman's favorite song done with the band.  It was actually the B-side of a song called “Laughing.”
Space Cowboy  by the Steve Miller Band
Wayne finishes us off with a song from Steve Miller's third album, Brave New World. It has a psychedelic feel.  The main guitar riff borrows heavily from "Lady Madonna" by the Beatles.  Steve Miller played at the Monterrey Pops Festival. 
 
INSTRUMENTAL/COMEDY TRACK:
Yakety Sax From The Benny Hill Show
The song was first used on The Benny Hill Show in November 1969.  It was composed by James Q. “Spider” Rich and Boots Randolph.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

While Supertramp had been on the rock scene for many years at this point (we already featured "Crime of the Century" on an earlier podcast), this sixth studio album would be the one that would make them superstars.  
Breakfast in America was originally going to be entitled "Hello Stranger" and explore the conflicts between founders Rick Davies and Roger Hodgson, but decided to take a lighter tone instead.  In addition to Davies and Hodgson, Supertramp included John Helliwell on saxophone and other woodwinds, Dougie Thomson on bass, and Bob Siebenberg on percussion.  The album cover is iconic, with an image of the New York skyline, and a diner waitress in the place of the Statue of Liberty.  Several songs express thoughts or critiques of life in America at the time, but Davies and Hodgson insist that there was no attempt to create an album satirizing the U.S.  
There is really not a bad song on this album, and this contributed to its success both commercially and critically.  The album was number one on the Billboard 200 album chart for six weeks and was Supertramp's best selling album.  It also won two Grammys in 1980 and was nominated for best album of the year.
Hodgson and Davies wrote all the songs on this album, though they did not initially collaborate.  Instead they wrote their songs separately and would come together to arrange the songs with the band.  These founders were growing increasingly apart in their lifestyles, and Hodgson would leave the group after 1983.
The hits from this album are timeless and well known, so we're going deep on this one.  We hope you enjoy it!
 
Gone Hollywood
The opening track to the album describes a guy who dreams of making it in Hollywood.  It starts out bleak, but the protagonist actually makes it.  Rick Davies takes the lead on this song which he wrote, and John Helliwell's saxophone work is prominent in this piece.  
Oh Darling
This song closes out the first album side.  You can see the keyboard-driven approach to this composition which is prominent in this track.  Rick Davies authored this piece as well.  "I'll make you mine.  I'll love you come what may.  I'm going to catch you lady, catch you lady."  
Lord Is It Mine
Roger Hodgson takes the lead and wrote this sweet, spiritual ballad.  Hodgson wrote this piece.  "I never cease to wonder at the cruelty of this land, but it seems a time of sadness is a time to understand.  Is it mine?  Oh Lord, is it mine?"
Casual Conversations
Davies penned this one, and it takes a decidedly lighter tack than the ballad we just played.  Casual conversations - how they bore me!
 
ENTERTAINMENT TRACK:
Theme from the motion picture "Phantasm"
This horror flick premiered in March 1979.  The tall man turns the dead into dwarf zombies, but what you remember is the killer floating ball in the mortuary.
 
STAFF PICKS:
“Lay It On the Line” by Triumph
Wayne's staff pick is from the Canadian power trio led by Rik Emmitt, and is off their third studio album.  It demands an answer in a relationship - make up your mind, don't waste my time.  "I don't ask for much, the truth'll do just fine."  
“Tragedy” by the Bee Gees
Rob puts us in a conundrum with his pick.  Is this a disco song?  It is a bit more rocking than the typical dance song.  Disco or not, it was at the top of the charts at the time.  The Bee Gees were made famous from the songs they wrote for the movie "Saturday Night Fever," which they created over a weekend.
“Every Time I Think of You” by The Babys
John Waite fronts Brian's staff pick from The Baby's third studio album.  This song goes through a variety of tempos and dynamics.  This song went to number 8 on the Cashbox 100.  Waite would repeat the title of this song in the opening lyrics to his solo hit "Missing You."
“Sultans of Swing” by Dire Straits
Bruce rounds out the staff picks this week with the first hit off Dire Strait's debut album.  The lyrics were inspired by a jazz band performance playing in the corner of an almost-empty pub in South London.  The name of the jazz group was the Sultans of Swing.
   
LAUGH TRACK:
"Rubber Biscuit" by The Blues Brothers
Saturday Night Live originated this blues band headed by Jake and Elwood Blues aka Dan Akroyd and John Belushi.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

A little alternative rock, a little electronica, the UK's Jesus Jones had a hit on their hands with their second studio album, Doubt.   It was recorded in 1990 and released in January 1991.
The band got their name when founders Mike Edwards (vocals, keyboards, guitar), Jerry DeBorg (guitar), and Ian Baker (keyboards) decided to form the band while vacationing in Spain.  They realized while sitting on the beach that they were three "Joneses" surrounded by a bunch of people named Jesus.
Jesus Jones achieved some success with their debut album, but things really took off with this second effort on the strength of the hit “Right Here, Right Now.” The album was written in the days of the fall of the Warsaw Pact, between the fall of the Berlin Wall and the collapse of the Soviet Union.  These were incredibly optimistic times, and the music of the album reflects that positivity.    
Doubt reached number 25 on the US Billboard top 200, and it topped the UK charts.
Jesus Jones is still touring today, and all the original members are still together.
Join us on this exploration of a time when the future was bright and there was no other place we'd rather be.
Real Real Real
This dance song was the first single off the album.  “Do you feel real?  If so, I'd like to know.”  The track takes its inspiration from a conversation that Edwards had questioning whether you can know if you are real or not.  The song peaked at number 4 and was a staple of dance clubs at the time.
Trust Me
You might want to watch your speed if you're driving when this manic deeper cut comes on!  “Trust me, I know what I'm doing.  I don't do anything in half measures.”  Jump in the mosh pit!
Right Here Right Now
This is the single that truly launched Jesus Jones into the stratosphere.  It was the most played song on college radio in 1991, and hit number 2 on the Billboard charts.  “I saw the decade in, when it seemed the world could change at the blink of an eye.”  The track epitomizes the feeling of optimism as communism ended and we were “watching the world wake up from history.”
International Bright Young Thing
Get your dance shoes on.  This was the third single released from the album after “Real Real Real” and “Right Here Right Now.”  The track chronicles the band finding all these positive people around the world with similar thoughts about the future.  It was a top 10 hit in Britain.
 
ENTERTAINMENT TRACK:
The theme from the television series “Twin Peaks”
The cult classic mystery series from David Lynch was on television in 1991.
 
STAFF PICKS:
Remember My Name  by House of Lords
Brian starts off our staff picks with a power ballad from Connecticut-based House of Lords.  Gene Simmons discovered this band — former Angel members.  The band featured a number of guest musicians on this second album entitled “Sahara.”
Rocket O Love by The Knack
In case you thought The Knack had finished their run in 1979…Bruce dispels the thought with this single from their fourth album “Serious Fun.” It was a top 10 hit for them in 1991.  Unfortunately they wouldn't get much more commercial or critical success, and A&R decided the shelve their second single. 
The Ballad of Jenny Ledge   by Toy Matinée
Rob's staff pick takes a deep and prog rock turn from a short-lived group — and one of his favorites.  The song is loosely based on the girlfriend of Toy Matinée front man Kevin Gilbert.  Jenny Ledge enjoyed music as just another pleasure, but her boyfriend wanted her to take it more seriously.  Ledge winds up running off with an Elvis impersonator.
More  by The Sisters of Mercy
Wayne finishes us off with a hard rocking 8-minute epic.  UK-native The Sisters of Mercy started in 1980 and has a Billy Idol feel with a "club" twist.  The group uses a drum machine instead of a drum set.  The Sisters of Mercy still tour and produce new music, but they don't release new music - you have to attend the concert to hear the new works. 
 
INSTRUMENTAL TRACK:
Righteous by Eric Johnson
This podcast concludes on another positive note with instrumentalist and guitar virtuoso Eric Johnson.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Believe it or not, we've made it to the Christmas season 2020 - and for some of us, its about time!  We hope your Christmas is a good one, and hope you get a chance to listen to some of these Christmas Songs that Rock on this Rabbit Hole episode!
“Step Into Christmas” by Elton John
This original song by John and Taupin has become a standard since it was originally released in 1973 as a single, and as a bonus track on the Caribou album.
“Gabriel's Message” by Sting
A cover of an obscure Basque folk carol based on the Annunciation by the archangel Gabriel that Mary would be the mother of Jesus— sung as only Sting could.
“Christmas/Sarajevo 12/24” by Trans Siberian Orchestra
You know Wayne will bring us a rocking song and this instrumental number by former members of Savatage is no exception.
“Sock It To Me Santa” by Bob Seger and The Last Heard
This rocking Christmas tune from the 60's reminds us that Bob Seger has been in the music business for quite a while.
“Merry Xmas Everybody” by  Slade
This non-album release in 1973 from Slade may not be that well known in the United States, but it is amazingly popular year after year in the UK.
“Christmas Is the Time to Say 'I Love You'” by Billy Squier
Squier dropped this original Christmas hit in 1981, and launched a video on MTV using many of the MTV VJ's of the day in starring roles.
“Back Door Santa” by Jet
Let the double entendres roll with this blues-based rocker.
“Christmas on the Bayou” by Lonnie Brooks
We drift into the bayou blues with this New Orleans-style cut from Alligator Records.
“Christmas Fais Do Do” by Marcia Ball
And we're staying on the Bayou for this zydeco tune.  A Fais Do Do is a Cajun dance party.  A Christmas tradition in Louisiana is building bonfires on the levees.
“Santa Claus Wants Some Lovin'” by Tinsley Ellis
Bruce brings this cover of Albert King's 1974 blues Christmas riff.  Atlanta's own Tinsley Ellis performs this version.  Bill Murray and George Clooney performed an interesting version of it that you can catch on youtube as well.
“Don't Believe in Christmas”  by The Sonics
Rob brings us this tune by the Tacoma, Washington-based group The Sonics.  It was developed back in 1965 - in less than 24 hours when they were asked to do a live show with other rockers.
“Christmas in Dixie” by Alabama
This has become almost a Christmas standard in the South.  Fort Payne, Alabama's finest call out a number of locations around the US, and especially focusing on locations in the southeast in this 1982 original.
“I'll Be Home For Christmas” by the Carpenters
This 1978 cover goes back to Bing Crosby in 1943, when it was written to honor servicemen away from home during World War II.  We hope that if you aren't able to make it home for whatever reason, you will know that you are home in your dreams, and in the dreams of your loved ones.
LAUGH TRACK(s):
“O Holy Night” by Eric Cartman
And this is the point where we ruin your memories of a classic Christmas hymm by taking you to the South Park version.
“The Chimney Song” by Bob Rivers & Twisted Radio
"There's something stuck up in the chimney and it doesn't move around, and it's been a week since Christmas..."
“Silver Bells” by Paul Simon, Billy Joel, and Steve Martin
Rob closes us out with this rare item spontaneously created by Joel, Simon, and Martin.  I'm not sure how Paul Simon and Billy Joel kept going when Steve Martin gets going on his monologue about what Christmas means.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The tight, well produced sound of Play Deep would make you think that this is the third or fourth album from The Outfield, but this was their debut studio album, and it went triple platinum in the United States.  Percussionist Alan Jackman, guitarist/keyboardist (and songwriter) John Spinks, and bassist/lead vocalist Tony Lewis had worked together since the late 70's, and were in a band called The Baseball Boys when Columbia Records signed them in 1984.  Their manager suggested that the name was a little too "tacky," and this prompted the shift to The Outfield.  
The band was signed largely on their being an “American sounding” group in England.  This would lead to a successful US debut.  Unfortunately, they would suffer for that in their home country, and The Outfield would never have a hit album in the UK.  
Some refer to their sound as power pop, or pop rock.  The Outfield would have been heard more on pop stations than on rock stations in the 80's.  There's a little new wave mixed in, and it is very well produced.
John Spinks passed away in 2014 of liver cancer, and unfortunately Tony Lewis passed away a few weeks before the release of this podcast. So in a way, this is a tribute to a great “All American Sounding” band. RIP boys.
 
I Don't Need Her
This deeper cut reminds us of Big Country or U2, with rich harmonies and a distinctive echo.  "I'm so glad that I don't need her and I'm too tired of trying to please her, but in the end I just can't leave her.  Can't leave her tonight."
61 Seconds
You will definitely notice the mid-80's sound of this upbeat track.  It is a song for the nameless worker in a large business.  "61 seconds is all it takes for the 9-to 5-man to be more than one minute late."  It's so hard to think of work as 9-to-5 anymore.
All the Love
This track was one of the singles from the album.  It went to number 14 on the Billboard Album Rock Tracks chart.  Most of the songs on this album have a similar sound, with high harmonies, prominent echo, and well-produced effects overall.
Your Love
It is amazing how big this song became.  This track made it to number 6 on the Billboard Hot 100 charts, and is a completely fictional story about “Josie.”  It took the group about 20 minutes to write the song - apparently inspired by The Who - and the band was shocked with how well it did.  
 
ENTERTAINMENT TRACK:
“Pretty in Pink” by The Psychedelic Furs 
The "Brat Pack" were prominent in this John Hughes film.  The soundtrack to "Pretty in Pink" is a who's-who of mid-80's new wave bands.
 
STAFF PICKS:
Rock Me Amadeus by Falco
Wayne leads off with Austrian musician Falco's song with the distinction of being the only German language song to hit number 1 on the Billboard Hot 100 in the United States.  It was inspired by the Oscar award-winning movie "Amadeus."
Life in a Northern Town by the Dream Academy
Bruce's staff pick is the biggest hit for The Dream Academy, and features some unusual instruments for the rock genre, including tympani and oboe.  It is an elegy to Nick Drake who died in 1971, and parts of the song were composed on Drake's guitar.
Kyrie by Mr. Mister
Brian's pick was inspired by a portion of the Catholic/Orthodox mass by way of the Episcopal church.  Kyrie Eleison means "Lord have mercy."  This track was a follow up to Mr. Mister's hit "Broken Wings."  
Manic Monday by The Bangles
Rob's staff pick was actually written by Prince.  He originally intended it for Apollonia 6, but would be a hit for The Bangles.  It reflects the travails of a working woman going to the office every week.
COMEDY TRACK:
The Super Bowl Shuffle by The Chicago Bears "Shuffling Crew"
The Chicago Bears put out a rap video in the midst of their quest for a Super Bowl win.  They would indeed win the Super Bowl, and this song peaked at number 41 in February 1986.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Did the artists make MTV, or did MTV make the artists?  There is no doubt about the complementary relationship between the then-new music video channel and rocker Billy Idol.  He had exploded on the scene with his debut solo album featuring hits such as "White Wedding" and "Dancing With Myself."  His popularity would continue with his second studio album, Rebel Yell.  
Born as William Michael Albert Broad, Billy Idol found his studio name in a schoolteacher's derogatory description of him as "idle."  Billy Idol got his start in the punk scene.  He started performing with a retro-rock band called Chelsea in 1976, but quit after a few weeks to co-found a punk band called Generation X.  While the music was punk, the image Idol created was more 1950's Elvis-styled rocker with a dash of glam rock thrown in.  
Billy Idol was a prominent member of the "second British invasion" on MTV in the early 80's, and would see mainstream success with Rebel Yell.  Singles like the title track and "Eyes Without a Face" got heavy airplay on rock stations in the US.  Idol's iconic look and "whiplash smile" was especially appealing to the new media of music videos shown prominently on MTV but also on other stations both on cable TV and the airwaves.  
If you enjoyed music videos back in the day, this episode will leave you saying "more, more more!"
 
Daytime Drama
This slower and deeper cut was the second track on the album and was not released as a single.  It compares life and relationships to a soap opera.  "Beautiful star of my daytime drama...you're my hope for a future."
Blue Highway
A faster rocking song, this track was also not released as a single.  However it was the B-side to the single "Flesh for Fantasy," and it did get significant airplay on rock stations at the time.
Flesh for Fantasy
This track was the third single from the album and a significant hit, peaking at 29 on Billboard's Hot 100.  It is heavily produced, and while a rock song it also was played in dance clubs as well.  "Face to face and back to back, you see and feel my sex attack.  Sing it!"
Catch My Fall
Perhaps less popular than other album singles, this was the fourth single from the album.  It has a new wave feel as well, and continues to have a dance beat. The saxophone is played by Mars Williams.  
 
ENTERTAINMENT TRACK:
"Bob's Major Award" (from the motion picture “A Christmas Story")
This now-classic Christmas movie was surprisingly not that successful as a first run movie in 1983.  This song gets its title from the "leg lamp."
 
STAFF PICKS:
“The Safety Dance” by Men Without Hats
Rob's staff pick spent 4 weeks at number 3 on Billboard's hot 100, and was another big hit from MTV.  The song was meant to be a statement about people "pogoing" - flailing around on the dance floor in a way that could cause people to get hurt.
“Mean Streak” by Y&T
Wayne features a heavy metal song from a group originally known as "Yesterday & Today."  Y&T formed in 1974 in Oakland, and opened for a number of bands like Wild Cherry and Kiss.  The lead singer is still performing with the group, but unfortunately all other members have died.  Lars of Metallica credits Y&T with inspiring him to become a musician.
“Mama” by Genesis
Bruce's staff pick is the opening track to Genesis' self-titled album.  This dark song is about a young man with a mother fixation towards an older prostitute.  Mike Rutherford wrote the electric drum machine parts that start the song and continue throughout the piece.
“This Time” by Bryan Adams
Brian closes out the staff picks with the lead track from Adam's "Cuts Like a Knife" album.  Bryan Adams was another beneficiary of MTV's influence, and this album was his breakthrough hit.
   
LAUGH TRACK:
Jim Carrey premieres on Johnny Carson
This month marked the first time Canadian Jim Carrey appeared on American television on "The Tonight Show."  He would go on several years later to fame after his stint on the television show "In Living Color"
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This second studio album is the one that would put Billy Squier at the top of the arena rock world in 1981.  Don't Say No would produce Squier's first breakthrough single, “The Stroke,” a critique of the music industry, and the album would continue to contribute singles and AOR hits as it remained on the Billboard album charts for over 2 years.
Billy Squier got his start in the Boston music scene in the late 60's, playing in locally successful groups through the 70's, and releasing a moderately successful solo album in the spring of 1980.  Squier approached Brian May of Queen about producing his second album, but May had scheduling conflicts that kept him from working with Squier.  However, Brian May suggested Squier work with Reinhold Mack who had produced “The Game” for Queen.  Billy Squier would later continue his connection with Queen, opening for the band during their 1982 tour.  
Billy Squier wrote his own songs and was a multi-instrumentalist, playing guitar, piano, and percussion.
Squier left the music scene in the early 90's with the advent of grunge, but he often tours with Ringo Star as a part of his All Star Band.  He also does one-off concerts for charity, but spends much of his time in New York City with his wife.
Are you ready for some early 80's arena rock?  Don't Say No!
 
In the Dark
This song was the second single from the album, and the lead song for the album.  Some think that this song is about lovers keeping their cheating relationships secret.  This album is considered to bridge the hard rock sounds of the 70's with heavy metal of the 80's.  It has a Zeppelinesque feel to it.
Don't Say No
The title track is the last song on the album, and a deeper cut that was never released as a single.  It has an interesting “fade in” effect to kick it off.
My Kind of Lover
While this third single narrowly missed the top 40 (it made it to number 45), it was heavily played at the time.  It has a pop sentiment to it, but is a pretty straightforward song about sex and chasing a woman.
Lonely Is the Night
Surprisingly, this song was not released as a single, and did not make Squier's greatest hits album.  It's about a guy watching streetwalkers.  It was the B-side of “In the Dark,” and received heavy air play on rock radio.
 
ENTERTAINMENT TRACK:
The theme to “Raiders of the Lost Ark”
This classic adventure film starring Harrison Ford as Dr. Indiana Jones made its debut in the summer of 1981.  This iconic tune is instantly recognizable today.
 
STAFF PICKS:
I Missed Again  by Phil Collins
Rob's staff pick is from “Face Value,” Phil Collins' debut solo album.  The original name of the song was "I miss you, babe," but the band convinced him to change the name and lighten it up.  "Would you say if I was wasting my time or did I miss again?  ...I think I missed again."
All Those Years Ago by George Harrison
This tribute to John Lennon was originally intended as a song for Ringo Starr, but George Harrison brought it back to himself after the death of Lennon the previous winter.  Brian brings us his favorite Beatle.  Ringo, John and Linda McCartney played on this song, the first time they all appeared on a song together since 1970. 
Snowblind   by Styx
Bruce's staff pick features baritone James Young and tenor Tommy Shaw trading lead singer duties in this song about the dangers of cocaine.  It also created a stir when some groups insisted that there were backward masking messages from the devil embedded in the track.  This upset the band, who would make an entire concept album about censorship with their next effort, “Kilroy Was Here.”
Nether Street  by Bodast
Wayne finishes us off with a song recorded by a prog rock group that broke up in 1969 when guitarist Steve Howe joined Yes.  You'll recognize the riff because it is embedded in Yes's “Starship Trooper.”  The album was not released until June 1981.
 
LAUGH TRACK:
The Spanish Inquisition by Mel Brooks
The comedy “History of the World, Part I” by Mel Brooks brought us one of the most politically incorrect musical numbers ever penned.  "The Inquisition! What a show!"
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Born to Run  was Bruce Springsteen's third studio album, and the first unarguably successful commercial album.  While he had previously achieved critical success with many industry insiders comparing him with Bob Dylan, his two prior albums had been more of a regional hit.  With Born to Run, Springsteen had both time and money to make the album, and went for a “wall of sound” approach.  Wikipedia mentions that he wanted it to sound like “Roy Orbison singing Bob Dylan, produced by Phil Spector.”  With regard to the lyrics, Springsteen said this album was “the album where I left behind my adolescent definitions of love and freedom - it was the dividing line.”
To call this commercially and critically successful is an understatement. Born to Run is a giant of an album.  It produced two singles, "Tenth Avenue Freeze-out" and "Born to Run," and these are timeless rock classics.  But almost the entire album can be heard on classic rock stations regularly.
The songs were all composed on piano instead of guitar, and the songs tend to reflect this in their introductory instrumentation.  Each album side starts with a song about escape (Thunder Road, Born to Run), and ends with a song about defeat (Backstreets, Jungleland).  And of course you get not only the monster sounds and lyrics of Springsteen, but also the instrumental virtuosity of the E. Street Band.  This is another example of an album that should be heard from cover to cover to get the full experience of it.
Alright, folks, it's time to run with The Boss!
 
Jungleland
This isn't really a song, but more of an opera or an epic tragedy.  This track closes out the album and tells the tale of Magic Rat and the barefoot girl.  It's got scenes of life on the streets and in the gangs in New Jersey in the city they call Jungleland.  It was 19 months from the first rehearsal of this song until it's completion.  Saxophonist Clarence Clemons' solo supposedly took 16 hours alone to record, and takes up 3 minutes of this 9+ minute song.  That length is why we're only profiling three songs from the album this week.
She's the One
This is a deeper cut with a Bo Didley Beat.  It is the B-side of "Tenth Avenue Freeze-out" and got a bit of air play on rock stations as a consequence.  "There's this angel in her eyes that tells such desperate lies and all you want to do is believe her."
Thunder Road
Bruce (the one profiling this album, not the songwriter) thinks this may be the song with the finest lyrics top-to-bottom that Springsteen ever wrote.  It tells of a visit to Mary's house, and uses automobile and motorcycle imagery to describe a plea from the suitor for Mary to run off with him “if you're ready to take that long walk from your front porch to my front seat.  The door's open, but the ride ain't free.”
 
ENTERTAINMENT TRACK:
The Time Warp (from the motion picture “The Rocky Horror Picture Show”)
Yes, that timeless classic from the midnight movies had its origin this summer.  It's just a jump to the left, and then a step to the right! 
 
STAFF PICKS:
Man on the Silver Mountain  by Rainbow
Wayne features the distinctive guitar riff of Ritchie Blackmore and Ronnie James Dio's vocals from Rainbow, Blackmore's group after leaving Deep Purple.  The original vinyl release was a gated gold sleeve, but the record company reduced it to a single sleeve.  
Por Amor Viviremos by The Captain and Tennille
Rob brings us the Spanish version of "Love Will Keep Us Together."  The Captain and Tennille had both the English language and Spanish language versions on the charts this month.  "Love Will Keep Us Together" was originally done by Neil Sedaka in 1973, but this cover became identified with The Captain and Tennille. 
I'm Not In Love  by 10cc
Brian's staff pick incorporates the backing of a wordless choir, with 256 voices overdubbed.  The song itself is about expressing love without saying "I love you."  The song was almost discarded, but when they heard the secretary and window cleaner singing it they decided to keep it.  The whispered voice was from the secretary at Strawberry Studios.
How Sweet It Is (To Be Loved By You) by James Taylor
Bruce finishes on a lighter note with this cover of Marvin Gaye's original 1965 hit. Taylor would take this one to number 1, and it would be the most successful remake of the song (the original went to number 3).  Taylor's then-wife Carly Simon is on harmony vocals, and David Sanborn joins on saxophone.
 
LAUGH TRACK:
I Like Beer by Tom T. Hall
We finish off this week with a cold one in a polka genre.
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NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The Association released their debut (and most successful) album, And Then...Along Comes The Association in June 1966.  They had received some success with non-album releases prior to this, but the album itself would become one of the best selling albums of the year.  
The Association was known as sunshine pop, which incorporated elements of both folk rock and psychedelic music.  The group was formed originally by Jules Alexander (guitar) and Terry Kirkman (wind instruments, percussion) who met in Hawaii in 1962, then reconnected in Los Angeles in the mid-60's.  They joined with Russ Giguere (rhythm guitar, percussion), Brian Cole (bass, woodwinds), Ted Bluechel, Jr. (drums, rhythm guitar, bass), and Jim Yester (rhythm guitar, keyboards) to make this album.  All group members contributed to vocals, and the group was known for their harmonies.
The Association was first known as The Men, and played as the house band for The Troubadour where they would play with musicians such as Mama Cass Elliot and David Crosby. The Association would continue touring for decades, though with over 20 members throughout the time. 
 
Enter the Young
This deep cut is the lead song from the album.  It gives a good sense of the harmonies of the group.  The lyrics are an ode to the younger generation.  "Enter the young, yeah.  Yeah, they've learned how to think.  Enter the young, yeah.  More than you think they think."
Your Own Love
Another deep cut seems representative of the sounds typical of television shows of the time.  Russ Giguere takes the lead vocal duties on this one.  
Along Comes Mary
This is a hit from the album.  The phrase itself was somewhat controversial, because "Mary" was a euphemism for marijuana, though the band never confirmed this.  Either way, Mary improves the life of the singer - "When we met I was sure out to lunch, now my empty cup tastes as sweet as the punch."  Jim Yester was on lead vocals for this hit.
Cherish
A ballad would be the biggest hit off the album, and would have decades-long staying power.  Kirkman and Giguere share lead vocal duties.  The single runs 3 minutes and 13 seconds, but it was listed as "3:00" because radio programmers discouraged songs over the 3-minute limit.
 
ENTERTAINMENT TRACK:
Theme from the television series “The Dick Van Dyke Show”
This comedy would end its run in June 1966.
 
STAFF PICKS:
“Opus 17 (Don't You Worry "Bout Me)” by The Four Seasons
Bruce features the Jersey Boys in their prime.  This is the second single released after the title song from the album "Working My Way Back to You."  The song was written by Sandy Linzer and Denny Randell, who also wrote "Let's Hang On."  There are 5 key changes in this 2-1/2 minute song.
“Dirty Water” by The Standells
Wayne's staff pick mocks the city of Boston, Massachusetts and it's then infamously polluted Charles River and Boston Harbor.  Some elements of this song from the Los Angeles garage band were inspired by a Mugging of their producer, the women's curfew at Boston University, and even a mention of the Boston Strangler.  Fans of the Bruins and Red Sox will recognize this tune from hockey and baseball games.
“Red Rubber Ball” by The Cyrkle
Rob's staff pick was written by Paul Simon and Bruce Woodley, and reached number 2 on the charts.  Simon offered the song to the band when they were opening for Simon and Garfunkel on tour.  It’s a fun, positive song - "The morning sun is rising like a red rubber ball."
“Kicks” by Paul Revere & the Raiders
Brian finishes off the staff picks with a minor key song.  This is the first anti-drug song of the rock era.  It was  written by Barry Mann and Cynthia Weil as a warning to a friend about the dangers in drug use.
 
COMEDY TRACK:
“You Can't Roller Skate in a Buffalo Herd” by Roger Miller
This comedy track finishes off our session this week.  Stay away from those buffalo herds, but you can be happy if you want to!
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.